This week Editor-in-Chief Rob Alderson explains why the most interesting creative festival almost certainly isn’t the one you think it is. As ever you can throw your thoughts into the mix using the discussion thread below…
Think of the ingredients that go into producing the perfect cultural coming-together. Cutting-edge creative practitioners? A diverse programme? Affordability, and stemming from that, a genuine mix of attendees? An ambience which combines socialising and opportunities to meet creative minds you admire?
Put these factors together and you’re getting pretty close, but I’m not talking about that event you’re thinking of. Nope, nor that one. The best match on this list of criteria is to be found in the perhaps unlikely setting of Belgrade, where every spring for the past couple of years the digital art festival Resonate has brought together artists, designers and educators to, “participate in a forward-looking debate on the position of technology in art and culture.”
This year’s line-up boasts the likes of Fabrica’s Dan Hill, Semiconductor, Jonathan Puckey and Luna Maurer of Moniker, Rhizomatiks, Aaron Koblin, Universal Everything and Yuri Suzuki. But above and beyond the great speakers, Resonate’s organisers work hard to ensure that the range of activities on offer are varied too; ranging from talks, screenings and panel discussions to workshops, performances and even collaborative projects initiated by Resonate themselves.
This isn’t just a talking shop; this is a living working exploration of the ideas being espoused from the stage. And herein lies an exciting new direction for these kinds of conferences, where meaningful participation is as important as exposure to the wisdom of the leading practitioners.
Carl Sagan said: “Every kid starts out as a natural-born scientist, and then we beat it out of them. A few trickle through the system with their wonder and enthusiasm for science intact.” What Resonate does is nurture and develop this enthusiasm; not in a bandwagon-jumping-wait-is-science-hip-now? type way but in an exciting and engaging context.
I’ll leave the last word to a colleague who attended last year: “Belgrade is an amazing city; the Serbians seem to live on a diet of meat and beer.”
Roll on Resonate 2014!
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio