Oh Part & Parcel, I can just imagine what it’s like to work for you. A nice little studio in New York, beers after work, antics on a roof terrace, a little shelf of comic books, good looking bearded friends asking if they can leave their bike in the studio for a bit (which, of course, they can). Okay, well who knows what it’s like in Part & Parcel but judging by their superb, growing selection of happy animations, videos, comics – life’s pretty good.
We actually posted about their work back in early 2011, so we were keen to find out what they had been up to since. It turns out they have a few new fantastic, lovingly created projects that not only reflect their style and outlook on the world of design, but they are also made for some very hefty clients including Nike, Ford and The New York Times. These guys are setting a great example of how to be awesome, whilst still maintaining strong values and the enviable skill of being able to continually pick the perfect people to collaborate with.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label