Oh Part & Parcel, I can just imagine what it’s like to work for you. A nice little studio in New York, beers after work, antics on a roof terrace, a little shelf of comic books, good looking bearded friends asking if they can leave their bike in the studio for a bit (which, of course, they can). Okay, well who knows what it’s like in Part & Parcel but judging by their superb, growing selection of happy animations, videos, comics – life’s pretty good.
We actually posted about their work back in early 2011, so we were keen to find out what they had been up to since. It turns out they have a few new fantastic, lovingly created projects that not only reflect their style and outlook on the world of design, but they are also made for some very hefty clients including Nike, Ford and The New York Times. These guys are setting a great example of how to be awesome, whilst still maintaining strong values and the enviable skill of being able to continually pick the perfect people to collaborate with.
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Illustrator Thomas Howe’s detailed character studies capture quirky personas
- Tragic beauty: the arsenic-laden wallpapers of the Victorian home
- Bureau Mirko Borsche creates a crisp, type-led campaign for the Bavarian State Opera
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity