Seeing a photo of Earl Sweatshirt rolling a spliff in an open JFK shirt and a terrifying blade being held next to his face as he grins, pink-eyed to the camera is not your everyday kind of photojournalism. In the world of Michael Schmelling, whose instantly recognisable photography has won him editorial spots in magazines like WIRE and our personal in-house favourite, Die Zeit, this is pretty standard.
It’s hard to say exactly why Michael is so good, his knack of getting the perfect portrait is something to do with pinpointing the sitter’s weirdest aspect and fully dwelling on it with his lens. His photos of R. Stevie Moore for WIRE are exactly how portraits should be taken: taking the elements of a character and laying them out on a table for the benefit of anyone who didn’t really know about them before. For me, this is the most exciting music photography I think I’ve ever seen, especially that one of Explosions in the Sky. Woah.
- M/M (Paris) and the ongoing conversations that define its practice
- Mari Kanstad Johnson's wonderful work picks apart complex narratives
- Bradley Pinkerton’s projects combine handmade gestures with scanned-in textures
- Roberts Rurans uses acrylic paint to add depth and warmth to his illustrations
- The prodigal return of “iconoclastic” artist Danny Fox
- Jump into the world of Ben Jones’ post-internet, psychedelic paintings
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books