Ping Zhu is a force to be reckoned with in the world of illustration. Not only is she talented, mastering an inimitable style in every way imaginable, and then using it as very efficient bait to reel in the big clients, The Sunday Times, Pentagram and Nobrow included, but she’s also future proof – developing her style with every project she undertakes to make her as exciting as she is reliable, and delivering consistently good work to a broad spectrum of briefs.
Her work has taken a turn for the dynamic since we last featured her a year ago, with her trademark smooth curves rendered in loose brushstrokes to give life to sportsmen, portraits and even baby animals. Like I said, there’s a broad spectrum in there, and don’t expect her to slow down on picking up new ideas any time soon. Ain’t nobody who does it quite like Ping.
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Ewoudt Boonstra's new film looks at ideas, beer, pretzels and the internet
- Peter Steinhauer's colourfully symmetrical Singapore apartment blocks
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli