We don’t want to seem like we’re showing favouritism to particular publications by featuring them repeatedly on the site, but even though we profiled Edition 9 of Process Journal back in October, Edition 10 is equally deserving of attention, and so we’re covering the Aussie mag again.
The tenth edition of Process (the second with an overarching theme) explores design from the perspective of New York, profiling studios like RoAndCo, Pentagram and Triboro as well as an in-depth feature on typographic masterminds Commercial Type and a host of other suitably geeky graphic design-related subject matter within the confines of a superbly designed piece of print.
As ever it’s the attention to detail that sets Process Journal apart from other design publications; the investigation into how projects came into existence and the struggles that were encountered along the way. And really it’s those stories that make graphic design exciting – much more so than the finished product.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio