You know that feeling you get when walking near a watery patch (the beach, a river, that flooded bit of land) snacking on something and you can feel a presence hanging somewhere above and, looking up, see a big old seagull tracking you, ready to dive-bomb your chips. So you walk a little faster, uncomfortable. Well that is the feeling photographer Rafael Halin’s images induce; that sense of knowing something is there or is about to happen but he has seen it first and has captured it moments before.
His photos are moody, slightly ominous, dark yet strangely beautiful. We are pulled into the atmosphere, we want to know what is going to happen. He is master of the ‘not quite revealed’ with images seeming to appear out of the mist, shifting between playing the watcher or catching him at work, showing the stranger moments of human behaviour. Are we unsettled by the woman illuminated by the suction-packed meat behind her in the supermarket, or the man wandering along the roof-top of a decrepit building, or just intrigued, curious to know what will happen next?
- Brian Blomerth illustrates a “trippers guide” to the iPhone 64
- Alex de Mora on shooting Vice parties and famous footballers
- Natacha Paschal’s “deformed” interpretations of mag covers and fashion ads
- Leipzig graphic design studio Lamm & Kirch on their shared ethos
- Photographer Adrian Samson plays with space and perspective in this series of “still lifes”
- Photographer Sophie Green captures pagans at Stonehenge's summer solstice
- “Evolve or die”: Bloomberg Businessweek creative director Rob Vargas on the magazine’s redesign
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- Photographer Khadija Saye has died in the Grenfell Tower fire, her family confirm
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design