The 1960s was a decade when all kinds of crazy stuff slipped into the mainstream, but many artists who championed the use of hallucinogenic drugs as “an artistic tool” were quickly popped into the file named “psychedelic” and then promptly forgotten about. As a result, psychedelic art has largely fallen by the wayside in favour of more conventional makers and thinkers (presumably ones who weren’t high as a kite or seeing unicorns and wizards when they took to their easels) and unfairly shunned from art for nigh on half a century now.
Reflections from Damaged Life, the new exhibition by Raven Row looks to pull back the kaleidoscopic veil which has covered psychedelic art, reassessing its unfair dismissal as whimsical and ungrounded and instead focusing on the experimental spirit and conceptual fluidity which underpins it. The collection combines work by Pierre Huyghe and The Otolith Group in a joyous celebration of a counterculture which marked a huge transition in contemporary art.
- Sam Pilling, Hattie Newman, Phil Sharp and Kit Caless at Nicer Tuesdays September
- Stephanie Unger’s instinctive illustrations use bright colours and simple shapes
- Graphic designer Timo Lenzen fuses hyperreal, architectural forms with vivid colours
- Nobrow co-founder Sam Arthur shares his favourite books
- Photographer Laura Pannack finds inspiration in a Romanian folk tale
- Ho Tam, the one-man band publisher
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- The Gentlewoman’s art director, Veronica Ditting gives us a peek at her bookshelf