• Unknown

    Review of the Year 2011, Art

  • Taryn-simon1

    Taryn Simon

  • Tarynsimon1

    Taryn Simon

  • Landy2

    Michael Landy

  • Michael-landy-1

    Michael Landy

  • Tacita-dean

    Tacita Dean

  • Tacita-dean2

    Tacita Dean

Art

Review of the Year 2011: Art

Posted by Bryony Quinn,

I won’t deign to call it a “big year for art” – we must assume that every year is a big year for art and artists and the people that support them. Maybe I could go as far as pointing at the plethora of internet art that has eked out into the real world, the nationwide debate and fall-out of arts cuts in the UK, and the extraordinary case of “the disappeared” artist Ai Weiwei and the world’s ensuing uproar.

Special mention of course to the aformentioned Ai Weiwei, his worldwide exhibitions (with and without his whereabouts known) were a cementing accomplishment, and the unprecedented solidarity from all corners reminded us of the power of art for political good. Kudos too to Mike Guppy, one of The Graduates 2011 and statistically the most read article of the year on It’s Nice That (the term “viral” was never so apt) and finally the multifarious Jayson Scott Musson whose alter-ego Hennesey Youngman (or is it the other way around?) has astonished, delighted and educated us in equal measure.

Taryn Simon

A real highlight of our latest issue of the It’s Nice That magazine is an article about the American contemporary artist and photographer, Taryn Simon. Her body of referentially deep work, informed by first-hand accounts and detective-style insight, are a weighty antidote to the superficial search engine sources that pass for an education these days. A very bright star from this year’s constellation of exhibitions, hers is a field of intelligent, frequently disturbing mirrors on society, and that is why we love her.
ww.tarynsimon.com

Michael Landy

Of everything we saw at Frieze this year, Michael Landy and his fantastic mechanical decimator of credit (pause. If only) cards was our true favourite. Always with a wry eye on the value of value (see last year’s Art Bin ), this year saw him continue to engage with the public in a humorous and climatically astute way, overcoming people’s fear of number one, “art” and number two, each other. His Acts of Kindness project this year in the London Underground is a prime example of how it can be less about art as an object, and more about inspiring people to think in a certain way after coming into contact with it.
www.wikipedia.org/michael-landy

Tacita Dean

Not only is Tacita Dean’s monolithic Film installation resident in the Turbine Hall of the Tate Modern – an awe inspiring 16mm homage, projected analog-style – but _Edwin_her moving documentary of the late Cy Twombly (which played alongside an exhibition of Twombly and Nicolas Poussin at the Dulwich Picture Gallery this year) was a humbling and extraordinary example of her dedication to film as a medium for art. Since her move into the forefront of the art world, she has brought with her some big questions about the demise of essential facilities and support for artists working today, which can only be a good thing.
www.tacitadean.net

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  2. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  3. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  4. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  5. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  6. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  7. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  8. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  9. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  10. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  11. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  12. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.

  13. Mp_home1

    We interviewed Mathis Pfäffli back in 2012 about his design practice and working day. The Swiss-born graphic designer has segued from the playful and considered printed matter that we’re used to and produced a series of large-scale pencil drawings.