The press release for a new series of digital paintings by husband and wife duo Rob and Nick Carter states that it “creates rare intersection between Old Master connoisseurship and contemporary new media art.” Technically that’s true, but it’s a bit like describing a parachute jump purely in terms of physics, shorn of the visceral emotional response so central to the experience. Because Transforming is (to coin a phrase) f**k-me fantastic. Working with visual effects experts MPC, Rob and Nick have taken four 16th and 17th Century paintings and turned them into staggeringly impressive living pieces; so flowers wilt, maggots ooze out of a dead frog and the reclining nude stirs in her sleep.
The brilliance lies in the painstaking efforts to disguise the fact that these are HD screens; from the ornate frames to the incredible realistic matte effects of the surfaces you are genuinely surprised when one of the moving parts does just that. The recent decision to display the work in Mayfair’s Fine Art Society only added to the wrongfooting of gallery-goers, not used to this kind of experience in such elegantly austere surroundings.
Frustratingly filmed footage of the final works is forbidden but hopefully through the making-of below you get a sense of what Rob and Nick have managed to pull off.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?