A year or so ago we came across an exceptionally talented young illustrator with a beautiful portfolio. We proceeded, as we do when excited by such stunning work, to describe Sam Brewster as someone who had it all, even good looks (although for the record, we did mention this might not be true).
Since then Sam’s client list has extended to include names such as Creative Review, The Financial Times, Ted Baker and a whole host of others. The elements of Sam’s style that first attracted our attention –including his enthusiasm for the odd visual pun and a bold colour palette integrated with textured line work – all remain, only now his skill feels even more refined, allowing him to instinctively sense what our eyes want to gorge on and how best to present us with these visual feasts.
So why not fill up on some of the illustration Sam has propelled into the world since we first introduced him.
- Submit Saturdays: Take advantage of your website to show varied work as a creative collective
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity