A year or so ago we came across an exceptionally talented young illustrator with a beautiful portfolio. We proceeded, as we do when excited by such stunning work, to describe Sam Brewster as someone who had it all, even good looks (although for the record, we did mention this might not be true).
Since then Sam’s client list has extended to include names such as Creative Review, The Financial Times, Ted Baker and a whole host of others. The elements of Sam’s style that first attracted our attention –including his enthusiasm for the odd visual pun and a bold colour palette integrated with textured line work – all remain, only now his skill feels even more refined, allowing him to instinctively sense what our eyes want to gorge on and how best to present us with these visual feasts.
So why not fill up on some of the illustration Sam has propelled into the world since we first introduced him.
- Yayoi Kusama brings infinity and her iconic pumpkins to two stunning new London shows
- How I Got Here: Kim Gehrig, director
- Founder and creative director of ManvsMachine, Mike Alderson on his most-loved books
- From big cats to commuters, Reece Wykes creates characters using the subtlest of details
- Back to the Future: what today's creatives can learn from yesterday's design principles
- Moniker’s crisp and colourful laser cut posters for Designer Fund
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)