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    Santtu Mustonen: Granta (detail)

Illustration

Illustration: Eye-catching motion graphics from the always excellent Santtu Mustonen

Posted by James Cartwright,

Whenever we hear whispers of updates from Santtu Mustonen we get very excited indeed. The Finnish New Yorker always produces visually arresting imagery that we’re powerless to resist, so it’s usually just a case of seeing which brands have bought into his delightful trademark style this time round. In this instance he’s got a brand new website to house exciting new projects for the likes of Granta, Wired and Architecture In Helsinki. He’s also producing an ever-increasing amount of motion graphics, which we have to say add an impressive depth to what is already eye-catching work.

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    Santtu Mustonen: Wired

  • Children_of_paradise_santtu_mustonen

    Santtu Mustonen: Granta

  • Feeding_the_ghosts_santtu_mustonen

    Santtu Mustonen: Granta

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    Santtu Mustonen: Cloud

Jc

Posted by James Cartwright

James started out as an intern in 2011 and is now one of our two editors. He oversees Printed Pages magazine and content wise has a special interest in graphic design and illustration. He also runs our online shop Company of Parrots and is a regular on our Studio Audience podcast.

Most Recent: Illustration View Archive

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    I love peering into people’s sketchbooks. There’s so much more honesty in an image that’s been hurriedly scribbled down on a station platform than in one which has been perfected over the course of several drafts, and I’m a sucker for that kind of insight into an artist’s process. I like to see the mistakes, the rubbings out and the development as well as the final work.

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    I came across Assa Ariyoshi’s work while perusing the latest issue of Mood Magazine where it brought alive a feature on the weird and wonderful world of Icelandic cuisine. I love the way how in this surreal dinner party scene the shark looks like he’s drunkenly ranting at the puffin. We’ve all been on both sides of this I’d wager.

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    Jean-Jacques Sempé has something of a varied CV. Having been expelled from school, he went on to become a door-to-door tooth powder salesman, a soldier and a comic book artist, before going on to creating some rather iconic covers for The New Yorker and cartoons for Paris Match.

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    Kevin McNamee-Tweed by name, twee by nature, I’d assumed, casting an eye over these sweetly, naively sketched wee pictures of books. Then I read the titles. One contained the word “shart.” Another proclaims, “It’s Only Your Fault: How to Help Yourself”, while a more philosophical tome proffers the question “who is….BIRD HUMAN?”

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