Sara Maragotto is one interesting image maker. With a portfolio full of quiet but brilliantly variegated colours and a process that I can’t tell you a whole lot about (only that it looks a lot like very hands on print techniques like lithography or mono printing) hers is a body of images with ambiguous arrangements, strangely diagrammatic qualities and not a little intrigue.
In particular, I’m really liking these spots for Italian short story magazine Follelfo which are inspired, she says, by scientific iconography, specifically Testut’s Atlas of Human Anatony.
- Studio Zwupp’s festival identity combines found type with abstract imagery
- Meet Jack Pearce: the illustrator drawing skate tribes
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books