What do a peg, a plant pot, a statuette and a daddy long legs all have in common, short of the fact that Sasha Kurmaz has picked them out and subjected them to the unwavering gaze of his lens? Well, not much actually, but I feel like that should suffice. Sasha’s subjects vary from the bodies of the people around him and the broad landscapes they inhabit to the corner of a room you’d never noticed before, and his perpetual quest to make the ordinary extraordinary with his youthful and irreverent surreality seems to be going very much to plan.
The work documenting the lives of young people growing up in the industrialised area of Donetsk in the Ukraine possess a raw and fascinating beauty which remains wholly untinged by sterility or self-awareness – qualities which, in our photographic landscape, can often be hard to come by.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations