Next up in the talks from our travel-themed Nicer Tuesdays is reportage illustrator Olivier Kugler. Olivier was hooked on drawing since receiving a Tintin book when he was seven, although his dad’s attempts to encourage him to sketch outdoors came up against his desire “only to draw superheroes.” Now Olivier has established a practice for creating compelling visual narratives which use individuals’ lives to tell bigger stories. “I don’t draw spectacular things but I love little details,” Olivier said, and you could see that in the way his pen picked out the Pope calendar in the flat of a former Mafia boss, or the heartbreaking trivialities in a refugee camp.
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They have brought their professionalism to both our Printed Pages magazine and the It’s Nice That Annual 2013, and we look forward to working with them in 2014 and beyond. To contact Park, email Alison at firstname.lastname@example.org or via the website www.parkcom.co.uk
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio