Gracing the cover of the latest issue of Varoom is the Zurich-based illustrator and/or graphic designer (graphic illustrator?) Stephan Walter. Though it’s his process that makes him hard to pin-down – vector drawings constructed in 3D because sometimes 2D just isn’t enough – his tech-knowledge base is more akin to an architect or engineer with the level of detail he can achieve in each work.
Speaking to Varoom, Stephan outlined his philosophy that “picture and type shouldn’t be separated. The type should always be part of the design and not just information.” So the words are literally built into the image like a byzantine oil refinery-cum-Las Vegas strip and there they belong, eschewing any idea of them being super-imposed to deliver a message rather than being the message.
- Hilarious send-up of selfie culture from Mercedes-Benz, Justin O'Shea and Jayne Min
- Mattis Dovier tracks the painful metamorphosis of man into machine in his new short
- Class A Marketing analyses the advertising techniques of drug dealers
- Yuri Suzuki's new invention lets users turn any object into a functioning musical instrument
- Snøhetta develops a “tribal language” for Høyskolen Kristiania School
- Work, build and don’t whine: historic portrayals of women in art and design
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)