Christmas time, mistletoe and wine, here’s a podcast of art and design, with logs on the fire, gifts on the tree, time to rejoice in the podcast we see! Sure, a Cliff-themed intro to get you in the mood this week and why ruddy not? You know the drill by now, us, in your ears, with the week’s creative and cultural tidbits.You can’t say fairer than that. You can listen via the SoundCloud link below or subscribe via iTunes here.
On last week’s podcast we said that Mould Map had 200 backers on Kickstarter when in actual fact it had around 800 at that point. Our bad and happy to clarify!
This week we kicked off talking about the print media and how they used their front covers to mark the sad passing of Nelson Mandela, we revelled in the brilliance of artist Alex Chinneck and we stumbled round the news that Macaulay Culkin is part of a pizza-themed Velvet Underground parody band. You heard!
First up we spoke about Pitchfork’s list of the top 25 album covers of 2013, picked out some favourites and wondered what they tell us about the state of album artwork in the digital age.
We moved on to chat about the latest issue of our Printed Pages magazine picking out some choice bits of content and reflecting on the past four publications.
- Art mag Kaleidoscope unveils Mirko Borsche-designed winter issue
- Behind the scenes of the lady who shoots chihuahuas in party hats, yoyoists and strippers
- Great poster designs for Adana Nights series by Vienna-based Lukas Haider
- Illustrator Jim Stoten works his magic for Marmite in a fun new ad campaign
- Design studio Praline reflects on a five year relationship with Peckham Platform
- Obscure and minimal fashion photography from New York-based Paul Jung
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Craig Gibson's photography is sincere and refreshing
- We ask some established creatives what they wish they'd learned at art school