Hey pod fans! Nice to see you again, please accept this latest offering of Studio Audience with our compliments. Your spotter’s card for this episode includes the phrase “sibling-cum-romance vibe,” an unsubtle call for cake and Liv Siddall interjecting weirdly. Oh yeah and more art and design chat that you can waggle a stick at. Not sure why you’d want to do that though.
You can listen to the pod using the link above or download from iTunes here
In the first section we talked about last week’s Frieze art fair and questioned whether some of the stick the event gets is fair; we also discussed The Design Museum’s programme for next year and Morrissey’s autobiography being published in the hallowed Penguin Classics series which has upset some people.
As three Calvin & Hobbes devotees we welcomed the news that Bill Watterson had given an extremely rare interview to Mental Floss magazine and we asked whether creatives are within their rights to let their work speak for them.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio