Stifle your sobs people of pod-land – it’s true that this week marks the end of our 20-strong series three of Studio Audience. But dry your eyes mates, we’ll be back in a few weeks with all sorts of art and design discussion and japes. In the meantime, you can recreate the Studio Audience experience in a nearby pub or cafe – simply gather one mate who’s a bit like a young Alan Partridge and loves torturous metaphors, one mate whose outlook on life just confuses you and one mate with a really flat head. Voila!
This week there was loads to chew on (metaphorically speaking, no food is allowed near our state-of-the-art pod set-up). We kicked off looking at the discussion over whether Sagmeister & Walsh’s Now Is Better film was justly awarded a typography Yellow Pencil by D&AD on its design rather than artistic merits, we looked ahead to Sofia Coppola’s new film which many say helps us rethink the new world of image-making and we ended on the much-criticised Vice shoot which recreated famous female writers’ suicides (for which they have since apologised).
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos