Stifle your sobs people of pod-land – it’s true that this week marks the end of our 20-strong series three of Studio Audience. But dry your eyes mates, we’ll be back in a few weeks with all sorts of art and design discussion and japes. In the meantime, you can recreate the Studio Audience experience in a nearby pub or cafe – simply gather one mate who’s a bit like a young Alan Partridge and loves torturous metaphors, one mate whose outlook on life just confuses you and one mate with a really flat head. Voila!
This week there was loads to chew on (metaphorically speaking, no food is allowed near our state-of-the-art pod set-up). We kicked off looking at the discussion over whether Sagmeister & Walsh’s Now Is Better film was justly awarded a typography Yellow Pencil by D&AD on its design rather than artistic merits, we looked ahead to Sofia Coppola’s new film which many say helps us rethink the new world of image-making and we ended on the much-criticised Vice shoot which recreated famous female writers’ suicides (for which they have since apologised).
- Nine vital nuggets about the hows and whys of being a project manager or producer – and why all the hard work is worth it
- Stars, drag queens, and the literati: Avedon and Warhol’s heroes and antiheroes
- Designer Morag Myerscough gives us a peek at her bookshelf
- Photographer Matthew Brown explores the forgotten details in a university campus
- First Dates for those who create: Studio Swine tells us about their working relationship
- Experimental Jetset, Build and others' war posters curated by Pentagram's Alex Brown
- Racy photography from the new issue of Odiseo
- VSCO develops new typeface and a symbol-based language as part of its rebrand
- When to wake up, what to drink and how to work: “how to live like a creative” unveiled
- How to beat creative block: one designer offers his invaluable advice
- DesignStudio rebrands the Premier League
- Meditation and creativity: should we believe the hype?