Stifle your sobs people of pod-land – it’s true that this week marks the end of our 20-strong series three of Studio Audience. But dry your eyes mates, we’ll be back in a few weeks with all sorts of art and design discussion and japes. In the meantime, you can recreate the Studio Audience experience in a nearby pub or cafe – simply gather one mate who’s a bit like a young Alan Partridge and loves torturous metaphors, one mate whose outlook on life just confuses you and one mate with a really flat head. Voila!
This week there was loads to chew on (metaphorically speaking, no food is allowed near our state-of-the-art pod set-up). We kicked off looking at the discussion over whether Sagmeister & Walsh’s Now Is Better film was justly awarded a typography Yellow Pencil by D&AD on its design rather than artistic merits, we looked ahead to Sofia Coppola’s new film which many say helps us rethink the new world of image-making and we ended on the much-criticised Vice shoot which recreated famous female writers’ suicides (for which they have since apologised).
- London-based Osheyi Adebayo references his childhood in his retro graphic design
- Tristan Pigott paints “real contemporaries” in upcoming solo exhibition, Juicy Bits
- “The great thing about this book is you don’t have to read it”: sculptor Wilfrid Wood on his favourite books
- The return of the hovering art director: Nejc Prah visualises a day in the life of four art directors
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris