Stifle your sobs people of pod-land – it’s true that this week marks the end of our 20-strong series three of Studio Audience. But dry your eyes mates, we’ll be back in a few weeks with all sorts of art and design discussion and japes. In the meantime, you can recreate the Studio Audience experience in a nearby pub or cafe – simply gather one mate who’s a bit like a young Alan Partridge and loves torturous metaphors, one mate whose outlook on life just confuses you and one mate with a really flat head. Voila!
This week there was loads to chew on (metaphorically speaking, no food is allowed near our state-of-the-art pod set-up). We kicked off looking at the discussion over whether Sagmeister & Walsh’s Now Is Better film was justly awarded a typography Yellow Pencil by D&AD on its design rather than artistic merits, we looked ahead to Sofia Coppola’s new film which many say helps us rethink the new world of image-making and we ended on the much-criticised Vice shoot which recreated famous female writers’ suicides (for which they have since apologised).
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Like a warm embrace, it's Best of the Web!
- Swedish illustrator Malin Rosenqvist creates textural works about psychology and powerful women
- Animator Jimmy Simpson creates technology-inspired ident for MTV
- Leander Assmann's illustrations are full of paired-back shapes and patterns
- Illustrator Andrey Kasay invites us into his surreal yet amusing world
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio