Last week’s enforced move to escape the incessant drilling next to It’s Nice That HQ could and maybe should have broken a lesser podcast. But Studio Audience is made of sterner stuff and we bounced back with a vengeance to bring you yet another burst of quick-fire art and design chat. I particularly recommend the fruity Zach Braff Kickstarter discussion in Section Two. Enjoy!
First up in this section we looked at who the Design Museum had picked as this year’s Designers in Residence we wondered why the new Instagram logo hadn’t riled the design community’s comment boards and looked back at last week’s POINT conference in London (at which the full version of the Milton Glaser video above was aired). We also spoke about the recreation of an iconic artists’ canteen for Frieze New York and explored why Grey Spain’s clever ad for a children’s helpline (below) has received so much attention.
First up we picked over the furore surrounding Zach Braff’s decision to launch his new film project on creative crowd funding platform Kickstarter, the backlash to that exemplified in this Vice piece and Zach’s subsequent defence.
And in the second section as tis the season to visit grad shows we looked at what role they play in the contemporary creative scene and looked ahead to our own Grads project.
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity