Friday you old chestnut, how the devil have you been? We’d have laid on a spread if we knew you were coming. Anyway since you’re here, come tarry a while and warm your feet by the fire and we will treat your ears to the new episode of Studio Audience – 23 minutes of art and design chatter sure to warm your cockles right through. SPLENDID!
In the first section this week we talked about Facebook’s pay-per-message trail scheme, BBC6 Music’s aural treat bringing together Jarvis Cocker and Sir David Attenborough, and we looked at rumours swirling round the launch of the new Daft Punk album in a tiny Australian town. We also talked about the ace new Patternity show and the ways in which they are helping us rethink the part patterns play in all our lives, and we ended on the news Ryan McGinley’s Blue Falling will take pride of place on The Highline’s art billboard in NYC.
Oh, and this is the video Rob wants you to watch at the end…
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio