It’s Nice That’s Studio Audience podcast is back and we’ve changed up a few things to produce what we hope is a new and improved audio offering. Editor Rob Alderson is joined by founder/director Will Hudson and Liv Siddall of the editorial team for 23 minutes of cultural conversation which sounds kind of serious but in all honesty it really isn’t.
Recorded in our east london studio (for that full trucks-going-by-outside effect) our now weekly podcast begins with a look at articles on the site which have caught our eye this week. And in this episode we also cover the new free Time Out, the Turner Prize and Liv says “pube” quite a lot. Enjoy!
Here’s the links you may need:
We looked at our favourite things from the site which were The Andy Rementer/RCA/Espirit project which Will brought, CANADA’s extraordinary love letter to Italy and, er, love for 55DSL and drunken debauchery captured Cardiff style in Maciej Dakowicz’ photographs (and the Sean O’Hagan Observer article about the series).
The Best Thing We Saw This Week
Here’s Tara Palmer Tompkinson’s music video mentioned by Liv and a link to that extraordinary photo of the Romney/Obama stand-ins so you can see the full glory for yourselves.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s