I’ve found the taste of avocado a difficult one to master. The weird fatty fruit with buttery, soap-like texture forms a strange the consistency in my mouth that I’m not sure I’m okay with, yet I find myself always returning for more. It’s an intriguing, exotic and odd thing that I want to be a part of, so I think deep down I have a love for the avocado – it just isn’t a conventional one.
This is similar to how I feel about Berlin-based Tilo Uischner’s work. At first the eerie portraits of (mainly) children on wooden canvases unnerved me. But then I started looking more closely at the skill in combining various medias like acrylics splicing them with the technique of intarsia and I started to be really impressed. It’s more than that though, it’s the empty space around the subjects that force you to piece together the situations they’ve become detached from. It’s the heaviness and even dark mood that’s suspended in these works that invites you in, and it’s the power of them that’s managed to convince me that I do like them a lot, just like those cheeky chunks of avocado that always keep jumping into my salad.
- Best of the Web: Trump inauguration protest special
- We go behind the scenes of Bonobo’s trippy No Reason video with director Oscar Hudson
- Doppelglanders: 3D animator Julian Glander interviews his name twin
- The witchy dreamscapes of illustrator Maren Karlson
- Maciej Dakowicz's photographs capture unexpected, serendipitous moments
- The comic book influences of illustrator Stefanie Leinhos
- Wolff Olins and zigbee launch the “first open-source brand for the Internet of Things”
- Graphic Design Festival Paris reveals 19 sport-inspired posters by Hort, Julia, Spassky Fischer and more
- FKA twigs teams up with 17 year old photographer David Uzochukwu for new Nike campaign
- Too Fast To Think: why switching off unlocks creativity
- Brian Finke captures the glitz and glamour of the Ms. Senior America beauty pageant