Israeli illustrator and cartoonist Tomer Hanuka needs no introduction. Ten years ago (before this website even existed) he was making extraordinary illustrated works – some of which inspired me to go to art college – for the very best editorial clients out there. He’s done Rolling Stone, the now defunct Spin, The New York Times and GQ, he’s worked for Marvel, DC, Universal and Lucasfilm. In fact there’s very few people out there worth working for by whom Tomer hasn’t been employed.
Although he’s closed for business for the time being – presumably working so hard for so long starts to take it out of you – his last piece for The New Yorker in February was a prime example of his inimitable skill; stunning line-work, sensitive colour palettes and a canny knack for creating a powerful sense of atmosphere. Let’s hope he opens his doors again soon or the world of illustration will be a much poorer place.
- Best of the Web: Trump inauguration protest special
- We go behind the scenes of Bonobo’s trippy No Reason video with director Oscar Hudson
- Doppelglanders: 3D animator Julian Glander interviews his name twin
- The witchy dreamscapes of illustrator Maren Karlson
- Maciej Dakowicz's photographs capture unexpected, serendipitous moments
- The comic book influences of illustrator Stefanie Leinhos
- Wolff Olins and zigbee launch the “first open-source brand for the Internet of Things”
- Graphic Design Festival Paris reveals 19 sport-inspired posters by Hort, Julia, Spassky Fischer and more
- FKA twigs teams up with 17 year old photographer David Uzochukwu for new Nike campaign
- Too Fast To Think: why switching off unlocks creativity
- Brian Finke captures the glitz and glamour of the Ms. Senior America beauty pageant