With Richard Turley now utilising his skills for the betterment of MTV’s creative offering, Bloomberg Businessweek has been left in the hands of his two former proteges, Rob Vargas and Tracy Ma. Rob’s work is already pretty well known by devotees of the title, but Tracy’s is arguably the most experimental of anyone working for a global publication like Businessweek. Her use of layout and typography is arresting to the point of distraction, but is always used in a manner that serves the story first and foremost. Similarly her aesthetic choices often feel informed by a lifetime spent online, with brash colours, textures and stock imagery proliferating her spreads – which for a title that deals with the politics and economics of the digital age feels impeccably on point.
While we’re keenly watching the future development of Bloomberg under Tracy and Rob’s direction, we also wanted to look back and see what Tracy’s been up to in recent months. Needless to say the results are impressive.
- Making branding with a purpose: what can we learn from the Bauhaus?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Bobby Doherty’s vivid and humorous still-life photography
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs