With Richard Turley now utilising his skills for the betterment of MTV’s creative offering, Bloomberg Businessweek has been left in the hands of his two former proteges, Rob Vargas and Tracy Ma. Rob’s work is already pretty well known by devotees of the title, but Tracy’s is arguably the most experimental of anyone working for a global publication like Businessweek. Her use of layout and typography is arresting to the point of distraction, but is always used in a manner that serves the story first and foremost. Similarly her aesthetic choices often feel informed by a lifetime spent online, with brash colours, textures and stock imagery proliferating her spreads – which for a title that deals with the politics and economics of the digital age feels impeccably on point.
While we’re keenly watching the future development of Bloomberg under Tracy and Rob’s direction, we also wanted to look back and see what Tracy’s been up to in recent months. Needless to say the results are impressive.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?