• Hamish-fulton-walk-installation-view-turner-contemporary-2012-5-courtesy-david-grandorge

    Hamish Fulton: Walk, Installation view Turner Contemporary 2012, Courtesy David Grandorge

  • Hamish-fulton-walk-installation-view-turner-contemporary-2012-3-courtesy-david-grandorge

    Hamish Fulton: Walk, Installation view Turner Contemporary 2012, Courtesy David Grandorge

  • Hamish-fulton-walk-installation-view-turner-contemporary-2012-4-courtesy-david-grandorge

    Hamish Fulton: Walk, Installation view Turner Contemporary 2012, Courtesy David Grandorge

  • Hamish-fulton-walk-installation-view-turner-contemporary-2012-2-courtesy-david-grandorge

    Hamish Fulton: Walk, Installation view Turner Contemporary 2012, Courtesy David Grandorge

  • Jmw-turner_-stormy-sea-_circa-1830-_-tate_-london-2011

    JMW Turner A Stormy Sea, circa 1829 Watercolour on paper © Tate, London 2011

  • Jmw-turner-snow-storm---steam-boat-off-a-harbour_s-mouth-_exhibited-1842

    JMW Turner Snow Storm – Steam-Boat off a Harbour’s Mouth, exhibited 1842 Oil on canvas © Tate, London 2011

  • Jmw-turner-the-ports-of-england-1826-1828-watercolours_-ramsgate-_circa-1824

    JMW Turner from The Ports of England 1826-1828 Watercolours, Ramsgate, circa 1824 Pencil and watercolour on paper © Tate, London 2011

  • Jmw-turner_-a-study-of-firelight-venice-circa-1840--_-tate_-london-2011

    JMW Turner A Study of Firelight (Venice?), circa 1840 Gouache and watercolour on paper © Tate, London 2011

Art

What's On: Walk / Turner and the Elements

Posted by Bryony Quinn,

Now showing at the Turner Contemporary is the extraordinary Turner and the Elements – a broad spectrum from the painting thaumaturge’s career – and, in a room next door, the bold type of Hamish Fulton’s exhibit Walk. The latter defies generalisation, the terms “land artist” and “performance artist” being eschewed for a simpler, more open “walking artist.” The product of his trips are documents; photographic and texts and sketches. But the most striking are the vinyl wall-works of walks surmised into a literal yet lyrical statement, treated typographically and displayed on a huge scale.

“If I do not walk, I cannot make a work of art” Hamish says. The show is a selection from the last 40 years of the artist’s compulsive journeying that has seen him scale mountains, follow country by-lanes and everything in between in over 25 countries.

We are reminded that one might erase a line drawn on a map, but you cannot delete a walk – the environmental impact of all our actions being crucial to his art. Equally, you can buy an artwork but you cannot sell a walk.

As much as we take for granted or bypass our necessity to move about in the way we do, Hamish’s work is a mediative return to the sublime state of walking. “In mountaineering terms,” the artist reminds us, “reaching the summit is only half the journey.”

Although harmonious in their mutual appreciation of nature, Turner and the Elements could not be more of a different exhibition experience to Walk – but this is when galleries work best, I think.

Elements has been extraordinarily considered. Familiar as Turner’s work is to a relatively wide audience, there are plenty of studies and sketches and rarely-seen paintings on show. Also, the curator’s classical divisions between the elemental states – earth, water, fire, air – that frequently occur in the artist’s work is a sharp device not only to show off collections of familiar with non-familiar work, but also to contextualise each series within its historic and scientific situation.

Turner was painting at a crucial period as meteorology was born, the first 30 elements from the periodic table were completed and the poetic simplicity of the four natural properties attributed to all matter was undermined. His work was seen as very much a part of these novel debates about nature and, as he was close to a number of the leading scientists of the day, are closely linked to the age-defining discoveries.

The final theme in the show is the most fascinating as Turner’s own ability to depict not only the effect, but also causes of the elements – their processes of transformation and the their indistinguishability when in the tempestuous maelstrom of fusion.

Exciting stuff at the Turner Contemporary!

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. London-is-changing-intlist

    Public art project London is Changing makes Londoners uncomfortably aware of the truths we’re perhaps trying to ignore: that our city is morphing beyond recognition, that creativity is at risk, and that for many people, it’s simply becoming unaffordable.

  2. Bensanders-potdealer-3-int_copy

    While keeping himself busy with postmodern Howard Hodgkin-esque painting and collage work, Ben Sanders is somehow finding the time to paint funny faces on ceramics. Cutting through the “worthy lifestyle” pottery trend with googly eyes, zigzag nostrils and creepy grins, Ben has stamped his sense of humour and aesthetic all over these thriving succulents’ homes.

  3. Olafur-eliasson_little-sun-int-1

    A “giddy joy” was described as the feeling evoked by the artwork of Olafur Eliasson when we interviewed him for last year’s Autumn edition of Printed Pages, and with his monumental, often participatory pieces, it’s not hard to see why. From his incredible 2003 Weather Project at Tate Modern to its portable, socially-conscious, tiny counterpart Little Sun(which “produces clean, affordable, and portable solar-powered lamps to areas of the world without reliable access to electricity”), his work is a glorious, utterly original ray of light shining on the sometimes impenetrable art world.

  4. Christian-marclay-vinyl-factory-int-1

    In another brilliant feat of creative engineering that bridges the gap between music, art and design, a project at the White Cube gallery in London’s Bermondsey sees musicians including Sonic Youth frontman Thurston Moore perform a composition for Christian Marclay, which is recorded and pressed on site by The Vinyl Factory Press. The press is housed in a shipping container, and the artwork for the record – also created on site – is designed by Christian and printed by Coriander Press, in a series that feels like cottage industry, DIY ideas brought into a slick, art-world setting.

  5. Lynda-benglis-int11

    “Think of bayous…crawfish…sea creatures…metal…tieing shoelaces…not knowing what to do sometimes and just doing it.” This is Lynda Benglis’ bizarre monologue, with which she ends the introduction to her new show.

  6. Brechtvandenbroucke-the-fame-main-int

    Brecht, after five years of admiring your work I can happily say that I can spell your name without looking. And I can tell you that even though I’ve spent years admiring the skill of your painting, I can finally say that I think I actually get it. Over time, Brecht’s erratic artworks have become increasingly crowded with characters, pop culture references, logos, and his trademark long-limbed creatures.

  7. Antoinecorbineau-6-int

    It’s my personal opinion that some of the most exciting creative work starts life as a side project to distract from commercial jobs. Such is definitely the case for Antoine Corbineau, a French illustrator and designer who has worked on a plethora of projects for commercial clients, drawing up large-scale, intricate scenes of characters interacting in an enormous, often map-like style. Potentially even more alluring, however, is Antoine’s painting work. It’s distinctly less bright, almost realist in its approach, depicting familiar domestic scenes and landscapes interspersed with small but resonant human activity. His attention to minute detail – the foliage of a plant, a picture frame, the icons on a computer screen – and his accuracy in creating scenes that you could swear you’d seen before makes this body of work oddly enchanting.

  8. Sethbogart-ceramics-home

    Seth Bogart is quite the Renaissance man. The frontman of San Francisco-based band Hunx & His Punx is also an artist, producing paintings, drawings and ceramics; a video director; a photographer and a fashion designer. He has collaborated with Yves Saint Laurent and has his own store, Wacky Wacko, for which he also designs installations. Seriously, this guy.

  9. Ellakru-painting-7home-int

    Latvia-born Ella Kruglyanskaya now lives and works in New York, depicting cartoon-like friends and “frienemies” out-and-about in large-scale oil paintings and murals. Ella’s work is packed with bawdy humour, exaggerated forms, exuberant mark-making and interactions. She describes her intention as “pictorial events… [that] aspire to an unspoken punch line” – the content, references and line-work all filtered through comedy.

  10. Anniedescarteaux-collage-7home-int

    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  11. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  12. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  13. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.