In 2010 Julia Born designed A NOT B, a fantastically colourful book filled with Uta Eisenreich still-lifes. Inspired by non-verbal IQ tests, Eisenreich’s sets were constructed from a vast array of ubiquitous household items – apples, tea pots, hand-held mirrors, etc. – and displayed the artist’s penchant for games, language and symbolism. A NOT B, the book, originated from A NOT B, the exhibition, held at Amsterdam gallery Ellen de Bruijne Projects in 2009, in which the artist’s weird and often very funny objects could be experienced in real life.
Fast forward a few years and Eisenreich’s back, this time with Time after Sometimes, a similarly colourful solo show exploring “love, time and [the] transitoriness of human existence.” The artist’s work, a blurb suggests, “points out the arbitrary relationship (and structural differences) of language as a system of symbols and the mechanisms of the real world,” and this time features earthworms, bones and insects, as well as the usual mix of weird and wonderful domestic objects.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich