In 2010 Julia Born designed A NOT B, a fantastically colourful book filled with Uta Eisenreich still-lifes. Inspired by non-verbal IQ tests, Eisenreich’s sets were constructed from a vast array of ubiquitous household items – apples, tea pots, hand-held mirrors, etc. – and displayed the artist’s penchant for games, language and symbolism. A NOT B, the book, originated from A NOT B, the exhibition, held at Amsterdam gallery Ellen de Bruijne Projects in 2009, in which the artist’s weird and often very funny objects could be experienced in real life.
Fast forward a few years and Eisenreich’s back, this time with Time after Sometimes, a similarly colourful solo show exploring “love, time and [the] transitoriness of human existence.” The artist’s work, a blurb suggests, “points out the arbitrary relationship (and structural differences) of language as a system of symbols and the mechanisms of the real world,” and this time features earthworms, bones and insects, as well as the usual mix of weird and wonderful domestic objects.
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- Illustrator Antoine Cossé talks about the highs and lows of creating comic books
- How Greg Barth and Droga5’s surreal, retro-futuristic ad for MailChimp was made
- Llewellyn Mejia's paintings created in between commercial projects
- Robert Nicol’s brutish but spirited illustrations spanning artistic mediums
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris