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    Lygia Pape Tteia (Web) 2011 Installation view, Magnetized Space

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    Lygia Pape Livro do Tempo (Book of Time) 1961-63 Installation view

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    Lygia Pape Untitled 1954-56 Tempera / oil on wood 40 × 40 × 3.2 cm Courtesy of Projeto Lygia Pape © Projeto Lygia Pape

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    O Come All Ye Hackers

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    O Come All Ye Hackers

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    O Come All Ye Hackers

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    O Come All Ye Hackers

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    The Steps Oil on canvas, LS Lowry

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    Man posting a letter Oil on canvas, LS Lowry

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    Jetty at Knott End, near Fleetwood Oil on canvas, LS Lowry

Art

What's On: London

Posted by Bryony Quinn,

Our top three picks for this penultimate 2011 edition of What’s On: London are as follows: KK Outlet have released a heap of “season’s greetings” on us like a fat man falling down a chimney with their festive jumper-loving O Come All Ye Hackers, the Serpentine presents Brazilian artist Lygia Pape and the New Bond Street Richard Green gallery has an LS Lowry exhibition.

Oh Come All Ye Hackers KK Outlet

Nothing is more festive than novelty knitwear – that’s a universal truth. Less well-known is that Bill Cosby owns the rights to at least 90% of the knit patterns in the world and in honour of that (lie – but could be true), Andrew Salomone and his Brother KH930 have hacked this Yuletide institution to excellent effect. With designed contributions from the likes of Siggi Eggertsson, Nous Vous, Geneveive Gaukler and a woollen interpretation of that most Xmas-y of events – the Slayer Christmas Lights Lightorama 2009Oh Come All Ye Hackers makes Santa look like the Easter Bunny. Showing until December 22.
www.kkoutlet.com/o-come-all-ye-hackers

Lygia Pape: Magnetized Space Serpentine

Neo-Concretism – widely regarded as the movement that started contemporary art in Brazil – was in part founded by Lygia Pape whose practical and aesthetic determination to include art in everyday life was at the very heart of the movement. Magnetized Space denotes the charged political, social and ethical motivations behind her pieces which include drawings, wall works and sculptures, performances, poems and film. Pape, who died in 2004, is seen in retrospect through her decades of art, bringing together “daring experimentation and formal rigour.” Showing until February 19.
www.serpentinegallery.org/lygia-pape

LS Lowry Richard Green

Scathingly described as a “Sunday painter” LS Lowry is one of the most contested of household artists – something that understandably annoyed him. He studied under a French Impressionist (thanks Wikipedia) and so his re-imagining of the vapid industrial landscape in a perspective-challenged outlook occupied by stick-people has some roots in a more ephemeral, subjective style of painting. Authentically primitive or naively so, this latest Lowry exhibition will undoubtedly go some way in compounding public opinion by its reappearance on the London scene alone, highlighting his extraordinarily large output. That and some rather interesting rumours about a Tate retrospective on the horizon… Showing until December 17.
www.richard-green.com/lowry

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  2. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  3. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  4. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  5. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  6. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  7. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

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    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

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    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

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  12. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  13. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.