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    Gerhard Richter Reader 1994 © Gerhard Richter Courtesy San Francisco Museum of Modern Art.

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    Gerhard Richter Cage 4 2006 (CR:897-4) Tate. Lent from a private collection 2007 © Gerhard Richter

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    Gerhard Richter Aunt Marianne [Tante Marianne] 1965 (CR 87) Yageo Foundation, Taiwan © Gerhard Richter

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    Walter Hugo

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    Walter Hugo

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    Walter Hugo

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    Re-engraved coin. Bust of Queen Victoria facing left, with beard and boating hat, minted in Royal Mint 1882. British Museum

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    Grayson Perry, The Rosetta Vase, 2011. Courtesy the Artist and Victoria Miro Gallery, London. Copyright Grayson Perry. Photo: Stephen White

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    Grayson Perry, The Frivolous Now, 2011. Courtesy the Artist and Victoria Miro Gallery, London. Copyright Grayson Perry. Photo: Stephen White

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    Green glazed composition staff-terminal in the form of the god Bes. Egypt, 664-332 BC. British Museum

Art

What's On: London

Posted by Bryony Quinn,

All three of the shows highlighted in this edition of What’s On London open today. I’d recommend anyone intrepid enough to visit the British Museum or the Tate Modern, arm yourselves with a panic whistle and hip-flask and stay stong – Gerhard Richter and Grayson Perry’s shows will undoubtedly be worth the elbow bruises. Alternatively, the new Walter Hugo exhibition at the Cob Gallery is a perfect compliment to such a lovely day if you’re in north-west London…

Gerhard Richter Tate Modern

Given the lasting success of Gerhard Richter’s career it is perhaps unsurprising that his work has adopted many guises over the years. His practice spans the length and breadth of painting, from clinical photorealism to vibrant abstraction, and it is this diversity that Panorama seeks to explore, grouping together “significant moments in his remarkable career.” As an archivist of momentous historical events – most recently his exploration of the World Trade Centre attacks – Richter’s work is relevant as much for its contemporaneity as its persistent experimentation. Runs until January 8, 2011.
www.itsnicethat.com/whats-on/gerhard-richter

Walter Hugo: Developing Shadows The Cob Gallery

Ever since Reflecting the Bright Lights, we’ve been utterly fascinated by the work of Walter Hugo. Fascinatingly, artistically spanning the boundaries of science and photography, Hugo’s photographs are nothing short of alchemy. By reviving old developing techniques, and applying them to contemporary photography, the artist creates both unpredictably romantic and almost sinister shadows of moments. From an exploration between artist and studio, these documents of a very specific place and person are rendered all the more significant as the encroaching housing developments of London’s east end gobbles up these places of work and art. Now showing at The Cob Gallery, Developing Shadows is on until October 29.
www.itsnicethat.com/whats-on/walter-hugo

Grayson Perry: The Tomb of the Unknown Craftsman The British Musuem

No small task for Grayson Perry to select from two million years worth of culture and civilisation for his latest exhibition at the British Museum. He’s spent two years behind the scenes of the big BM carefully admiring and selecting from his forebears’ incredible and artistic functional ingenuity. Also interspersed within this fascinating taxonomy of craft are his own wonderfully considered pottery, tapestries and a coffin-ship centrepiece of iron. This is a tribute to all of the anonymous craftsmen before him, their skill is what makes up our society and the objects, “chosen like art,” promises “a reality that is old and new, poetic and factual, and funny as well as grim.” Runs until February 19.
www.itsnicethat.com/whats-on/grayson-perry

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. Anniedescarteaux-collage-7home-int

    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  2. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  3. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  4. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  5. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  6. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  7. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  8. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  9. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  10. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  11. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  12. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  13. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.