• Georgiou

    George Georgiou (British, born 1961). Mersin, 2007. Pigmented inkjet print, 27 3/4 × 40 15/16

  • Lawson

    Deana Lawson (American, born 1979). Roxie and Raquel, 2010. Pigmented inkjet print, 30 15/16 × 38 9/16

  • Rickard

    Doug Rickard (American, born 1968). #29.942566, New Orleans, LA. 2008, 2009. Chromogenic color print, 21 × 33 1/2

  • Sassen

    Viviane Sassen (Dutch, born 1972). Parasomnia, 2010. Chromogenic color print, 39 3/8 × 31 1/2

  • Ob_p_80_large-lg

    Pollock, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-80)

  • Ob_p_81_large-lg

    Man Ray, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-81)

  • Ob_p_830

    Andy, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-83)

  • Ob_p_860

    Edvard, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm

  • Ob_p_850

    Damien, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-85)

  • 4

    Pablo Picasso. Head of a Woman, summer 1921 Pastel on paper 25 × 18 7/8 inches Fondation Beyeler, Basel. Peter Schibli, Basel © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 2

    Pablo Picasso. Bust of a Woman, Paris, spring 1909 Gouache on paper 25 × 19 inches Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 1

    Pablo Picasso. Self-Portrait, late 1901 / early 1902 Black chalk with watercolor on paper 12 × 9 3/8 inches National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection, 1970.17.164 © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 3

    Pablo Picasso. Two Women with Hats, Paris, autumn 1921 Pastel on paper Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Art

What's On: New York

Posted by Bryony Quinn,

Every two weeks we will be highlighting three top shows going on in and around the the city Vonnegut brilliantly described as a “skyscraper national park.” Apparently quite a few people live in New York (needs citation) so we thought it only polite that we dedicate this bi-weekly slot to all things art in The Big Apple. This inaugural edition includes New Photography 2011 at the MoMA, Picasso’s Drawings, 1890 – 1921: Reinventing Tradition at The Frick Collection, and Olaf Breuning’s The Art Freaks at the Metro Pictures Gallery. How do you say? New York, New York?

New Photography 2011 MoMa, New York

The annual showcase of photography at New York’s MoMA is typical of the impossible scope and potential for the medium, celebrating that remarkable ability to capture a time and likeness as seen/imagined by the photographer’s lens. What New Photography 2011 presents is the absolute epitome of diversity realised by the six artists who represent contemporary, autonomous photography. They are Moyra Davey, George Georgiou – a documentarian of the Turkish struggle with identity – Zhang Dali, Doug Rickard – whose remarkable road trip round the US has been completed using Google Streetview – Viviane Sassen, and Deana Lawson – a witness and a stranger who captures vivid portraits of an intense intimacy. Show runs until January 16, 2012.
www.moma.org/new-photography-2011

Picasso’s Drawings, 1890–1921: Reinventing Tradition The Frick Collection

Life begins at 40 so the saying goes, but Pablo Picasso packed so much into his first four decades that he might just disprove that aphorism. From blue, to rose, to Africa, to cubism and round to neoclassicism, by the time he reached the milestone in 1921 – he had already established himself as perhaps the most ceaselessly inventive artist who has ever lived. But this is no dilettantism; experimentation and evolution are at the core of his artistic mission, or as he put it: “Disciples be damned. It’s not interesting. It’s only the masters that matter. Those who create.” The story of his drawing in that period is the behind-the-scenes story of his famous works, and the most obvious link between him and his classical forebears. Terrific technique meets vaulting artistic ambition and offers an original glimpse into Picasso’s extraordinary talent. Runs until January 8, 2011. Images © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
www.frick.org/picasso

Olaf Breuning: The Art Freaks Metro Pictures Gallery

From my experience, no street performer in London’s Covent Garden has ever painted his naked body silver, hung banana skins off, well, anywhere they would hang, and called it Andy. But there is still that surreal familiarity that these Art Freaks are something like those prosaic human statues. What they really are is a conflation of a really fun guessing game and a humorously questioning look at signature styles and how that now defines an artist’s personal identity – an investigation of the “so-called high and low artistic techniques as they discuss notions of kitsch, cliché, and reproduction.” Edvard is my favourite – and just in time for halloween! Now showing at Metro Pictures until October 29.
www.metropicturesgallery.com/the-art-freaks

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    Anna Valdez is the kind of artist who makes me want to swathe myself and everything around me in layers of tropical prints and geometric patterns, and embrace a new sartorial existence as a wannabe art teacher. Her mastery of textiles is so thorough that some of her pieces almost feel like studies, an effect which makes sense considering her academic interests. With a background in anthropology, she paints domestic interiors as though they were portraits, with every detail contributing to the overall effect, whether it be house plants, intricately reproduced book covers, woolly jumpers or oriental rugs.

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    Australian artist Kit Webster is has long been fascinated with the emotional and psychological tricks he can play through the manipulation of sound and light. His new piece Hypercube is a concentric cubic sculpture with a 120-metre LED set-up that can be controlled using specially-created software. The pre-recorded cycles allow Kit to control the viewer’s experience, speeding the cube up to a frenzy and breaking the tension with meditative moments of calm.

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    Apologies if this is a slightly dismayed post, but upon thinking I had stumbled across a gem via Nieves’ announcement of some new zines I was excited to be the first to write about Keegan McHargue on It’s Nice That. Alas I was not, but it doesn’t mean that we can’t shout about his brilliance once more.

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    When I was a teenager I’d have given my right arm for patches emblazoned with the lyrics of my favourite songs. It was the height of cool to be covered in brightly-coloured band paraphernalia (or at least I thought so). German artist Selma Alaçam clearly thought so too as her latest project Heartstrings combines some of her favourite song lyrics from the likes of Fiona Apple and Depeche Mode. The seven woven rugs – based on the traditional kelim, native to Turkey – have been hand-embroidered with bold typographic verses, whose personal importance is known only to the artist. To the rest of us these embroideries are like beautifully ambiguous album covers, enticing you in with their bright, bold colours.

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    It’s plain to see that Lee Marshall’s artwork is a product of the digital age; his smooth gradients, vectorised objects and figures apparently created in an early version of Corel Draw all evoke the atmosphere of an abstract digital landscape. But Lee’s creations all exist in the real world as paintings, drawings and sculptures, bringing a unique physicality to environments we’d expect to experience on a flat screen. The Norwich School of Art graduate has been perfecting this signature style since his student days, but with an ever-increasing list of group and solo shows to his name we’re expecting more great things from Lee over the coming months and years.

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    Let’s all give a big round of applause to the people behind Instagram who, in creating a convenient photo-based social media outlet, also paved the way for Instagram artists. If Instagram is the Impressionist salon of our time, then right at the forefront of this digital gallery is Kalen Hollomon, whose own brand of photo-collage is a tongue-in-cheek giggle at both the fashion industry and at commuters in general, and is hugely popular with it.

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    It’s fair to say that Interview magazine, founded by Andy Warhol in 1969, had some serious sway over popular culture throughout the 1970s and 80s. With its pop art-driven aesthetic and its constant pursuit of features with the superstars of the day it has grown to occupy seminal status. And this is due in no small part to Richard Bernstein, the artist behind the publication’s iconic cover imagery.

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    Imagine going to a party with a bunch of your favourite creatives and each picking up a paintbrush, a pot of ink, and creating the drawing equivalent of a huge, diverse orgy on a very long piece of paper. I’m sure for some people that kind of malarkey is the norm, but for most of us, we need the help of an organising body in making experimental ideas and collaborative practice come to life. Enter Sumi Ink Club, the participatory drawing project we first wrote about three years ago which was founded in 2005 by LA-based artists Sarah Rara (I know, right) and Luke Fishbeck. For 13 years now they’ve been the source behind a string of public meeting planned by anybody, anytime, which seek to mirror open social interactions with the act of putting paintbrush to paper.

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    It’s 100 years since Britain entered the First World War and to mark the centenary, the Tower of London is being surrounded by nearly 900,00 ceramic poppies. Blood Swept Lands and Seas of Red is the brainchild of artist Paul Cummins and stage designer Tom Piper and will grow between now and November when there will be 888,246 flowers in the dry moat, one for every British or British Colony soldier killed during the fighting.

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    There was a time when we at It’s Nice That were inundated with internet art – we were having so much submitted to us on a daily basis that it was pouring out of our ears in waxy gifs. It’s pleasing to be faced with it again, a year or two after the craze has kind of died out, when it’s created by someone who actually has a passion and an eye for this stuff and isn’t just jumping on a weird bandwagon.

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    It feels like Max and Adele at Atelier bingo lead a pretty charmed life. Camped out in the middle of the countryside with their converted studio/barn, it would be easy to resent the life they lead – in fact sometimes it’s very easy indeed. But the work they’re producing – stunning screen prints and collages of abstract forms – keeps me returning to their website time after time, and I just can’t find it in my heart to resent their rural idyll. Though if they called me up tomorrow to invite me to come and live with them, I’d definitely have a hard time saying no.

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    Here at It’s Nice That we spend an awful lot of time talking about, thinking about and writing about creatives but ultimately we don’t get too many chances to really see what goes on in their day-to-day working lives…until now. Our new collaboration with super-cool eyewear brand Ace & Tate is taking us inside the studios, and inside the minds, of a host of some of our favourite creatives.

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    Some artists, immensely talented and original though they may be, simply don’t make work that fits in the grandest art galleries of the world. Fortunately for them there are super-cool concept stores created specifically to house such work, and queen of all of these is Colette. Hiro Sugiyama’s surreal, hilarious and altogether unsettling artwork is a natural fit for Paris store Colette’s carefully curated collection of the avant-grade and the offbeat.