• Georgiou

    George Georgiou (British, born 1961). Mersin, 2007. Pigmented inkjet print, 27 3/4 × 40 15/16

  • Lawson

    Deana Lawson (American, born 1979). Roxie and Raquel, 2010. Pigmented inkjet print, 30 15/16 × 38 9/16

  • Rickard

    Doug Rickard (American, born 1968). #29.942566, New Orleans, LA. 2008, 2009. Chromogenic color print, 21 × 33 1/2

  • Sassen

    Viviane Sassen (Dutch, born 1972). Parasomnia, 2010. Chromogenic color print, 39 3/8 × 31 1/2

  • Ob_p_80_large-lg

    Pollock, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-80)

  • Ob_p_81_large-lg

    Man Ray, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-81)

  • Ob_p_830

    Andy, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-83)

  • Ob_p_860

    Edvard, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm

  • Ob_p_850

    Damien, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-85)

  • 4

    Pablo Picasso. Head of a Woman, summer 1921 Pastel on paper 25 × 18 7/8 inches Fondation Beyeler, Basel. Peter Schibli, Basel © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 2

    Pablo Picasso. Bust of a Woman, Paris, spring 1909 Gouache on paper 25 × 19 inches Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 1

    Pablo Picasso. Self-Portrait, late 1901 / early 1902 Black chalk with watercolor on paper 12 × 9 3/8 inches National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection, 1970.17.164 © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 3

    Pablo Picasso. Two Women with Hats, Paris, autumn 1921 Pastel on paper Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Art

What's On: New York

Posted by Bryony Quinn,

Every two weeks we will be highlighting three top shows going on in and around the the city Vonnegut brilliantly described as a “skyscraper national park.” Apparently quite a few people live in New York (needs citation) so we thought it only polite that we dedicate this bi-weekly slot to all things art in The Big Apple. This inaugural edition includes New Photography 2011 at the MoMA, Picasso’s Drawings, 1890 – 1921: Reinventing Tradition at The Frick Collection, and Olaf Breuning’s The Art Freaks at the Metro Pictures Gallery. How do you say? New York, New York?

New Photography 2011 MoMa, New York

The annual showcase of photography at New York’s MoMA is typical of the impossible scope and potential for the medium, celebrating that remarkable ability to capture a time and likeness as seen/imagined by the photographer’s lens. What New Photography 2011 presents is the absolute epitome of diversity realised by the six artists who represent contemporary, autonomous photography. They are Moyra Davey, George Georgiou – a documentarian of the Turkish struggle with identity – Zhang Dali, Doug Rickard – whose remarkable road trip round the US has been completed using Google Streetview – Viviane Sassen, and Deana Lawson – a witness and a stranger who captures vivid portraits of an intense intimacy. Show runs until January 16, 2012.
www.moma.org/new-photography-2011

Picasso’s Drawings, 1890–1921: Reinventing Tradition The Frick Collection

Life begins at 40 so the saying goes, but Pablo Picasso packed so much into his first four decades that he might just disprove that aphorism. From blue, to rose, to Africa, to cubism and round to neoclassicism, by the time he reached the milestone in 1921 – he had already established himself as perhaps the most ceaselessly inventive artist who has ever lived. But this is no dilettantism; experimentation and evolution are at the core of his artistic mission, or as he put it: “Disciples be damned. It’s not interesting. It’s only the masters that matter. Those who create.” The story of his drawing in that period is the behind-the-scenes story of his famous works, and the most obvious link between him and his classical forebears. Terrific technique meets vaulting artistic ambition and offers an original glimpse into Picasso’s extraordinary talent. Runs until January 8, 2011. Images © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
www.frick.org/picasso

Olaf Breuning: The Art Freaks Metro Pictures Gallery

From my experience, no street performer in London’s Covent Garden has ever painted his naked body silver, hung banana skins off, well, anywhere they would hang, and called it Andy. But there is still that surreal familiarity that these Art Freaks are something like those prosaic human statues. What they really are is a conflation of a really fun guessing game and a humorously questioning look at signature styles and how that now defines an artist’s personal identity – an investigation of the “so-called high and low artistic techniques as they discuss notions of kitsch, cliché, and reproduction.” Edvard is my favourite – and just in time for halloween! Now showing at Metro Pictures until October 29.
www.metropicturesgallery.com/the-art-freaks

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. Michaelcraig-martin-onbeinganartist-istnicethat-list

    In some circumstances, calling a book On Being An Artist would seem pretentious and pompous, but if anyone knows about being an artist, it’s Michael Craig-Martin. Over his extraordinary career he has studied with Chuck Close and Richard Serra, met the likes of Andy Warhol, Jasper Johns, John Cage and Charles Saatchi, had work shown at Tate Modern, the Pompidou Centre and MoMA, and taught some of the YBAs’ leading lights including Damien Hirst and Sarah Lucas.

  2. Ricco_maresca_mexican_pulp_art_its_nice_that_list_2

    Ballsy, bizarre and a little bit racy, these Mexican pulp fiction book covers are fantastic fun and epitomise our need for a bit of weird naughtiness. The kitsch-factor is overwhelming as scantily clad women run away in terror, a man in purple spandex is surrounded by adoring cats and giant robots menacingly pick up shiny red cars.

    As part of an exhibition at New York gallery Ricco Maresca held earlier this year, the collection is a celebration of pulp paperbacks released in Mexico during the 60s and 70s. Many of the artists remain unidentified which is a shame as some of these are absolute gems. Without book titles, there’s no context for the artwork and we’re left with the ordinary and extraordinary crashing into each other in glorious fashion. According to Ricco Maresca, there’s a key difference between Mexican pulp art and the American pulp art coming out at the same time. As well as the drama and sauciness, much of Mexican pulp art prominently featured violence, sci-fi, psychedelia, and crime, making it all the more outrageous.

  3. Yayoi-kusama-itsnicethat-list

    Yayoi Kusama is one of few artists who is seems to be without comparison. Her new exhibition, Give Me Love takes place at New York’s David Zwirner gallery, and features a collection of her enormous brightly coloured canvases. Their sunny dispositions are undercut with titles which reveal a more disquieting undertone for example I Who Cry in the Flowering Season, or I Am Dying Now There the Death Is. In another room a series of her bulging Pumpkin sculptures, reminiscent of decaying fruit in spite of their metallic sheen and polka dot finish, reinforces the juxtaposition of the joyous and the sinister.

  4. Brest_history_and_chips_it's_nice_that_list

    Imagine a John Stezaker collage let loose in the kitchen and you’ve got the History and Chips series from Brest Brest Brest. With a portfolio that includes a poster of Elvis Presley’s face emerging from a melting ice cream, the graphic design studio based in the south of France couldn’t fail to pique our interest. For their playful History and Chips collages, Rémy Poncet and Arnaud Jarsaillon have raided the fridge and dressed up classic movie stills and vintage portraits with everything from smoked salmon and mustard, to ham and pineapple. A testament to the fact that food makes everything better, these old pictures are given a new lease of life thanks to a little bubblegum and a wry sense of humour.

  5. Olafur_eliasson_the_weather_project_it's_nice_that

    This week the most visited modern and contemporary art museum in the world celebrates its 15 year anniversary. After its transformation from derelict power station to beloved beacon of British culture, Tate Modern has defined a generation and helped open art to the everyman. Here, we look at some of the top moments over the last decade and a half at Britain’s leading arts institution.

  6. Kings-cross-pond-ooze-architects-its-nice-that-list

    I’ve slid down an art installation before thanks to Carsten Höller, and I’ve frolicked about in a room full of balloons thanks to Martin Creed, but never before had I literally swum in art until this morning. Bright and early, there I was shivering in art, thanks to a bathing pond art installation in a building site in London’s King’s Cross. The piece, formally known as Of Soil and Water: the King’s Cross Pond Club , was created by Ooze Architects (Eva Pfannes and Sylvain Hartenberg) and artist Marjetica Potrč, and takes the form of a natural, chemical-free pool, complete with plants and bushes. And who knows what else – I didn’t dare think what one day could be lurking in there after the maggoty old python Hampstead Heath ponds story of a few years back. 

  7. List

    They wowed us in 2010 with their pop-up cinema in an old petrol station in Clerkenwell, The Cineroleum, and the following year they won us over with Folly for a Flyover in Hackney Wick. Now, after 15 years of transforming unusual spaces, the east London collective Assemble has been shortlisted for the 2015 Turner Prize for the revival of a cluster of derelict terraced houses in Liverpool, Granby Four Streets. Borne out of the DIY-culture and the flurry of pop-ups like Bold Tendencies that took London by storm a few years ago, the collective of 18 designers and architects is an exciting choice, and a first for the often sensational art prize.

  8. List-erik-kessels-unfinished-father_002-its-nice-that

    Kesselskramer co-founder Erik Kessels’ side projects usually seem light-hearted: take his book Attack of the Giant Fingers, for instance. His latest project, though, has a decidedly more serious slant, having been borne of his father suffering a stroke. For the project, named Unfinished Father, Erik looked to his pa’s passion for restoring Fiat 500 (Topolino) cars. Prior to his stroke, Kessels senior was halfway through completing his fifth of such restorations, but it was left unfinished since the attack left him barely able to move or speak.

  9. List-jeremy-deller-vinyl-factory-venice-biennale-its-nice-that

    All-round superdude Jeremy Deller has created a jukebox for the Venice Biennale. But instead of Fleetwood Mac’s Go Your Own Way or other pub staples like Russ Abbott’s Atmosphere, it plays only the sounds of factories. Cleverly named Factory Records, the piece contains 40 seven-inch records, each of which features the ambient sound of a different factory. Visitors to the piece can put on whichever they fancy, and if they really like it, they will be able to buy the sounds as a limited-edition box set designed by Deller with Fraser Muggeridge and released by The Vinyl Factory. The work continues Deller’s ongoing investigations into English working-class concerns, and links to his Venice Biennale performative piece, which uses archive materials to look at factory working conditions from the 19th Century to the present day.

  10. Robertnicol-itsnicethat-list

    It’s been a few years now since we posted the work of artist, illustrator and Camberwell tutor Robert Nicol, but our tardiness only means there’s a heap of new work for us to enjoy in his portfolio. From paintings to book covers, editorial illustrations to ceramic sculptures, Rob’s able to turn his versatile talents to a number of different ends. It’s interesting to look at his work together and see how he can amplify or refine certain traits depending on the job in hand. So we have his wonderful paintings where bold colours and surreal characters are given free rein, contrasted with his stylish book covers where hints of narrative achieve a lot in a quieter context.

  11. List--itsnicethat-ppic0035_picasso

    It’s always great to see another side of the biggest names in art, and in this selection of posters from artists including Picasso, Henri Matisse, Yves Klein and Le Corbusier, our curiosity is amply satisfied. These masters’ works have been drawn together for a London exhibition showcasing lithographic posters from the archive of Galerie Mourlot, which originated in Paris but now calls New York its home. Each of the posters is lithograph printed, and all are fascinating; many showing a looser style to the ones we’re so familiar with from these big names.

  12. Christophniemann-esgibtnichtgutes-itsnicethat-list

    My colleague Emily Gosling wrote a great piece for the latest issue of our Printed Pages magazine in which she called out the patent nudity of the emperor by saying that in reality, the creative process can be pretty dull to witness. Obviously that’s not to say that we want to see slick creative work with all traces of the artist removed; in fact in our digitally-defined age we delight in being able to see the spirit of the image-maker writ large.

  13. Kristoffersonsanpablo-itsnicethat-list

    If you like Eric Yahnker – and let’s face it, who doesn’t? – then you’re really going to enjoy the work of Kristofferson San Pablo, a Filipino artist now based in Los Angeles. His work takes an ironic look at popular culture, lampooning it for its absurdity, but also acknowledging its utter infectiousness. Kristofferson’s strange pencil drawings and luxurious paintings eroticise Simpsons characters, destroy our lust for celebrities and ridicule the stars of reality television, making sure that when surveying the modern world our tongues are kept firmly in cheek.