• Georgiou

    George Georgiou (British, born 1961). Mersin, 2007. Pigmented inkjet print, 27 3/4 × 40 15/16

  • Lawson

    Deana Lawson (American, born 1979). Roxie and Raquel, 2010. Pigmented inkjet print, 30 15/16 × 38 9/16

  • Rickard

    Doug Rickard (American, born 1968). #29.942566, New Orleans, LA. 2008, 2009. Chromogenic color print, 21 × 33 1/2

  • Sassen

    Viviane Sassen (Dutch, born 1972). Parasomnia, 2010. Chromogenic color print, 39 3/8 × 31 1/2

  • Ob_p_80_large-lg

    Pollock, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-80)

  • Ob_p_81_large-lg

    Man Ray, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-81)

  • Ob_p_830

    Andy, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-83)

  • Ob_p_860

    Edvard, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm

  • Ob_p_850

    Damien, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-85)

  • 4

    Pablo Picasso. Head of a Woman, summer 1921 Pastel on paper 25 × 18 7/8 inches Fondation Beyeler, Basel. Peter Schibli, Basel © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 2

    Pablo Picasso. Bust of a Woman, Paris, spring 1909 Gouache on paper 25 × 19 inches Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 1

    Pablo Picasso. Self-Portrait, late 1901 / early 1902 Black chalk with watercolor on paper 12 × 9 3/8 inches National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection, 1970.17.164 © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 3

    Pablo Picasso. Two Women with Hats, Paris, autumn 1921 Pastel on paper Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Art

What's On: New York

Posted by Bryony Quinn,

Every two weeks we will be highlighting three top shows going on in and around the the city Vonnegut brilliantly described as a “skyscraper national park.” Apparently quite a few people live in New York (needs citation) so we thought it only polite that we dedicate this bi-weekly slot to all things art in The Big Apple. This inaugural edition includes New Photography 2011 at the MoMA, Picasso’s Drawings, 1890 – 1921: Reinventing Tradition at The Frick Collection, and Olaf Breuning’s The Art Freaks at the Metro Pictures Gallery. How do you say? New York, New York?

New Photography 2011 MoMa, New York

The annual showcase of photography at New York’s MoMA is typical of the impossible scope and potential for the medium, celebrating that remarkable ability to capture a time and likeness as seen/imagined by the photographer’s lens. What New Photography 2011 presents is the absolute epitome of diversity realised by the six artists who represent contemporary, autonomous photography. They are Moyra Davey, George Georgiou – a documentarian of the Turkish struggle with identity – Zhang Dali, Doug Rickard – whose remarkable road trip round the US has been completed using Google Streetview – Viviane Sassen, and Deana Lawson – a witness and a stranger who captures vivid portraits of an intense intimacy. Show runs until January 16, 2012.
www.moma.org/new-photography-2011

Picasso’s Drawings, 1890–1921: Reinventing Tradition The Frick Collection

Life begins at 40 so the saying goes, but Pablo Picasso packed so much into his first four decades that he might just disprove that aphorism. From blue, to rose, to Africa, to cubism and round to neoclassicism, by the time he reached the milestone in 1921 – he had already established himself as perhaps the most ceaselessly inventive artist who has ever lived. But this is no dilettantism; experimentation and evolution are at the core of his artistic mission, or as he put it: “Disciples be damned. It’s not interesting. It’s only the masters that matter. Those who create.” The story of his drawing in that period is the behind-the-scenes story of his famous works, and the most obvious link between him and his classical forebears. Terrific technique meets vaulting artistic ambition and offers an original glimpse into Picasso’s extraordinary talent. Runs until January 8, 2011. Images © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
www.frick.org/picasso

Olaf Breuning: The Art Freaks Metro Pictures Gallery

From my experience, no street performer in London’s Covent Garden has ever painted his naked body silver, hung banana skins off, well, anywhere they would hang, and called it Andy. But there is still that surreal familiarity that these Art Freaks are something like those prosaic human statues. What they really are is a conflation of a really fun guessing game and a humorously questioning look at signature styles and how that now defines an artist’s personal identity – an investigation of the “so-called high and low artistic techniques as they discuss notions of kitsch, cliché, and reproduction.” Edvard is my favourite – and just in time for halloween! Now showing at Metro Pictures until October 29.
www.metropicturesgallery.com/the-art-freaks

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    Head down to Southwark Street just south of the River Thames, and you’ll find Alex Chinneck’s large-scale project, A pound of flesh for 50p. Starting as a life-size two-storey house made out of 8,000 wax bricks, the sculpture will eventually be a mess of rooftop and melted wax come mid-November.

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    Several artists have attempted to respond to the nude photo scandal, in which private photographs of a number of celebrities were hacked from Apple’s iCloud software and leaked on sites like 4chan and Reddit earlier this year, but few have had any success in harnessing the sense of shock and the eery echo of “have you seen them?” which rippled through the internet in the aftermath.

  3. List-willy

    Writing is rarely a chore. However, sometimes you find yourself working on a piece that reaffirms why internships spent schlepping round Covent Garden in the pissing rain on breakfast compote runs, and hours practising writing “multi-storey carpark” in shorthand are more than worth the irritation.

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    I don’t care how nice the wallpaper or the lampshades may be, there’s something creepy about the stereotypical American motel featured in films, novels and plays. As if expressly to prove my point, artist Airco Caravan created a series called Crime Scene in which she paints the rooms that have previously played host to murders, suicides and accidental deaths.

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    Swedish creative Henrik Franklin is a designer, illustrator and animator with two of the world’s leading design schools (Konstfack in Sweden and Rhode Island School of Design) sparkling on his CV. Invited to showcase his considerable talents in Anna Lidberg’s Gallery 1:10 – “the miniature gallery for contemporary art” – Henrik produced a table of tiny tomes and the attention-to-detail on each cover design is really impressive.

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    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

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    The Turbine Hall at the Tate Modern has an incredible presence when it’s void of installations, which is what’s so wonderful about the huge enclosed space. As much as I admire the vast emptiness though, it’s even more exciting when a piece of work is placed in the hall and interrupts the vacuum. Opening today, American sculptor Richard Tuttle is the latest commissioned artist to show his work in the space and his 24ft sculpture certainly makes an impact.

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    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

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    A kind of magic happens when Seth Armstrong puts brush to canvas. Having only been familiar with his work for the Mr Porter Journal, I became instantly bewitched by his paintings when clicking through his website.

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    Whatever the some naysayers may claim there is an art to collage and not everyone can do it, despite how good you think your teenage collages of cut-out red lips, Leonardo DiCaprio and puppies were. Anthony Zinonos is the perfect example of this, having featured on the site previously he’s updated his portfolio with some really cool bits and bobs.

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    There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

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    “To be an artist and for anyone to care vaguely about what you do is a great thing,” says street artist Moose in this fascinating new Nissan campaign, but his work is more important than most. As the inventor of reverse graffiti – whereby he uses a high-powered pressure washer to stencil imagery in the dirt that accumulates in our cities – Moose’s work asks questions about our attitudes to pollution in a very creative way.

  13. List

    To stare into a Danny Fox painting is like waking up in a world written by Charles Bukowski on a particularly heavy bender. There’s sex and drinking and guns, plus boxers and strippers and cowboys; here a horse, there a tiger. It’s intense and unnerving and exciting, but although there’s something very contemporary about Danny’s paintings, his rise to prominence owes a great deal to the support of a more well-established artist (an age-old route for up-and-coming artistic stars).