• Georgiou

    George Georgiou (British, born 1961). Mersin, 2007. Pigmented inkjet print, 27 3/4 × 40 15/16

  • Lawson

    Deana Lawson (American, born 1979). Roxie and Raquel, 2010. Pigmented inkjet print, 30 15/16 × 38 9/16

  • Rickard

    Doug Rickard (American, born 1968). #29.942566, New Orleans, LA. 2008, 2009. Chromogenic color print, 21 × 33 1/2

  • Sassen

    Viviane Sassen (Dutch, born 1972). Parasomnia, 2010. Chromogenic color print, 39 3/8 × 31 1/2

  • Ob_p_80_large-lg

    Pollock, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-80)

  • Ob_p_81_large-lg

    Man Ray, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-81)

  • Ob_p_830

    Andy, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-83)

  • Ob_p_860

    Edvard, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm

  • Ob_p_850

    Damien, 2011 Color print 74 3/8 × 34 1/8 inches (image size) 188.9 × 86.7 cm (MP# P-85)

  • 4

    Pablo Picasso. Head of a Woman, summer 1921 Pastel on paper 25 × 18 7/8 inches Fondation Beyeler, Basel. Peter Schibli, Basel © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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    Pablo Picasso. Bust of a Woman, Paris, spring 1909 Gouache on paper 25 × 19 inches Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 1

    Pablo Picasso. Self-Portrait, late 1901 / early 1902 Black chalk with watercolor on paper 12 × 9 3/8 inches National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection, 1970.17.164 © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

  • 3

    Pablo Picasso. Two Women with Hats, Paris, autumn 1921 Pastel on paper Private collection © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Art

What's On: New York

Posted by Bryony Quinn,

Every two weeks we will be highlighting three top shows going on in and around the the city Vonnegut brilliantly described as a “skyscraper national park.” Apparently quite a few people live in New York (needs citation) so we thought it only polite that we dedicate this bi-weekly slot to all things art in The Big Apple. This inaugural edition includes New Photography 2011 at the MoMA, Picasso’s Drawings, 1890 – 1921: Reinventing Tradition at The Frick Collection, and Olaf Breuning’s The Art Freaks at the Metro Pictures Gallery. How do you say? New York, New York?

New Photography 2011 MoMa, New York

The annual showcase of photography at New York’s MoMA is typical of the impossible scope and potential for the medium, celebrating that remarkable ability to capture a time and likeness as seen/imagined by the photographer’s lens. What New Photography 2011 presents is the absolute epitome of diversity realised by the six artists who represent contemporary, autonomous photography. They are Moyra Davey, George Georgiou – a documentarian of the Turkish struggle with identity – Zhang Dali, Doug Rickard – whose remarkable road trip round the US has been completed using Google Streetview – Viviane Sassen, and Deana Lawson – a witness and a stranger who captures vivid portraits of an intense intimacy. Show runs until January 16, 2012.
www.moma.org/new-photography-2011

Picasso’s Drawings, 1890–1921: Reinventing Tradition The Frick Collection

Life begins at 40 so the saying goes, but Pablo Picasso packed so much into his first four decades that he might just disprove that aphorism. From blue, to rose, to Africa, to cubism and round to neoclassicism, by the time he reached the milestone in 1921 – he had already established himself as perhaps the most ceaselessly inventive artist who has ever lived. But this is no dilettantism; experimentation and evolution are at the core of his artistic mission, or as he put it: “Disciples be damned. It’s not interesting. It’s only the masters that matter. Those who create.” The story of his drawing in that period is the behind-the-scenes story of his famous works, and the most obvious link between him and his classical forebears. Terrific technique meets vaulting artistic ambition and offers an original glimpse into Picasso’s extraordinary talent. Runs until January 8, 2011. Images © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
www.frick.org/picasso

Olaf Breuning: The Art Freaks Metro Pictures Gallery

From my experience, no street performer in London’s Covent Garden has ever painted his naked body silver, hung banana skins off, well, anywhere they would hang, and called it Andy. But there is still that surreal familiarity that these Art Freaks are something like those prosaic human statues. What they really are is a conflation of a really fun guessing game and a humorously questioning look at signature styles and how that now defines an artist’s personal identity – an investigation of the “so-called high and low artistic techniques as they discuss notions of kitsch, cliché, and reproduction.” Edvard is my favourite – and just in time for halloween! Now showing at Metro Pictures until October 29.
www.metropicturesgallery.com/the-art-freaks

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    We’ve already sung the praises of the V&A’s flagship London Design Festival project – Barber Osgerby’s extraordinary reflective installation in the Raphael Cartoons Gallery – but there are some other gems on offer at the spiritual home of the festival.

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    I have no idea who Mr G.G.Hines is. And yet I am standing surrounded by junk staring at his black leather passport holder. I am transfixed by it; lost in reveries about who he was, where he travelled to and what his handwriting – neat, confident but not fussy – says about him. I am also wondering how his passport came to be here, and the answer to that begins with Dan Tobin Smith.

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    Three years ago at the London Design Festival, the Bouroullec Brothers transformed the Raphael Cartoons gallery at the V&A by installing a huge textile-covered platform down the centre of the vast room. It became a playful, very human space in the heart of one of London’s most august institutions, and remains one of the most talked-about festival projects of recent years.

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    GIFs are usually reserved for that corner of the internet preoccupied with getting a quick laugh out of an easy audience (us included) so it’s surprisingly poignant to see the popular form employed not to show how funny a dog walking on its hind legs can be but to express a more powerful idea. This is exactly what Sofia Niazi has done with her new project Women of WOT. She wanted to utilise the medium to tell the unheard stories of the women forgotten by the War on Terror, but soon found that her project took a unexpected turn.

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    Just when you thought the only time you’d get to see some fruit getting jiggy with each other was the last time you ate a Moam bar, here’s Amelie von Wulffen’s paintings. Amelie’s work is a refreshing, sometimes sinister, sometimes sexual series of water-colour paintings depicting a strange mixture of food and tools interacting with each other as if they were humans – eating ice cream and going to music concerts and the like. As well as reducing mankind down to what it really is – a bunch of ridiculous creatures bumbling around the earth – Amelie’s real success here is bringing dark comedy into the largely unfunny art world, and for that she should be praised.

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    We’ve long maintained that to really get to know how a creative’s mind works, it’s best to explore their personal work, which often tells you much more than their professional portfolio. Another good example of this comes from London-based identity designer Iancu Barbarasa, who works under the name Iancul, and his terrific new Drawriting project, which “turns thoughts and their letters into visual puzzles.”

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    Co-founders of Dastoli Digital Robert and James were huge fans of Star Wars in the late 1990s, recreating hundreds of images from comics, books and game graphics on Microsoft Paintbrush using the Windows 3.1 operating system. In the run-up to the release of Star Wars Episode VII which will come out on 18 December 2015 they’re releasing an image a day from this seemingly bottomless archive, giving fellow fans a glimpse of their fantastic attention to detail and brilliantly retro colour palette.

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    Anna Valdez is the kind of artist who makes me want to swathe myself and everything around me in layers of tropical prints and geometric patterns and embrace a new sartorial existence as a wannabe art teacher. Her mastery of textiles is so thorough that some of her pieces almost feel like studies, an effect which makes sense considering her academic interests. With a background in anthropology she paints domestic interiors as though they were portraits, with every detail contributing to the overall effect, whether it be house plants, intricately reproduced book covers, woolly jumpers or oriental rugs.

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    Australian artist Kit Webster is has long been fascinated with the emotional and psychological tricks he can play through the manipulation of sound and light. His new piece Hypercube is a concentric cubic sculpture with a 120-metre LED set-up that can be controlled using specially-created software. The pre-recorded cycles allow Kit to control the viewer’s experience, speeding the cube up to a frenzy and breaking the tension with meditative moments of calm.

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    Apologies if this is a slightly dismayed post, but upon thinking I had stumbled across a gem via Nieves’ announcement of some new zines I was excited to be the first to write about Keegan McHargue on It’s Nice That. Alas I was not, but it doesn’t mean that we can’t shout about his brilliance once more.

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    When I was a teenager I’d have given my right arm for patches emblazoned with the lyrics of my favourite songs. It was the height of cool to be covered in brightly-coloured band paraphernalia (or at least I thought so). German artist Selma Alaçam clearly thought so too as her latest project Heartstrings combines some of her favourite song lyrics from the likes of Fiona Apple and Depeche Mode. The seven woven rugs – based on the traditional kelim, native to Turkey – have been hand-embroidered with bold typographic verses, whose personal importance is known only to the artist. To the rest of us these embroideries are like beautifully ambiguous album covers, enticing you in with their bright, bold colours.

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    It’s plain to see that Lee Marshall’s artwork is a product of the digital age; his smooth gradients, vectorised objects and figures apparently created in an early version of Corel Draw all evoke the atmosphere of an abstract digital landscape. But Lee’s creations all exist in the real world as paintings, drawings and sculptures, bringing a unique physicality to environments we’d expect to experience on a flat screen. The Norwich School of Art graduate has been perfecting this signature style since his student days, but with an ever-increasing list of group and solo shows to his name we’re expecting more great things from Lee over the coming months and years.

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    Let’s all give a big round of applause to the people behind Instagram who, in creating a convenient photo-based social media outlet, also paved the way for Instagram artists. If Instagram is the Impressionist salon of our time, then right at the forefront of this digital gallery is Kalen Hollomon, whose own brand of photo-collage is a tongue-in-cheek giggle at both the fashion industry and at commuters in general, and is hugely popular with it.