Last weekend saw the London Art Book Fair ahead of its New York counterpart starting tomorrow, and among the many attractive propositions – for those who, like us, are perfectly placed in the art-book Venn diagram – were the Whitechapel Gallery’s sale of exhibition posters. If art is a mirror on society, then show posters are the very public point at which artists and galleries seek to convince the wider world of that mirror’s significance and so these are fascinating cultural documents.
But they’re also beautiful artefacts, and the design decisions tell us a lot about what these exhibitions from the 1970s, 80s and 90s were trying to say. Some of the posters will also go on sale on the gallery’s website next week – perfect if you missed out first time round.
- The wacky, zany and eccentric world of illustrator Egle Zvirblyte
- Maziyar Pahlevan’s monochrome portfolio is full of typographic experiments
- The cut glass assemblages of graphic-turned-3D designer Juli Bolaños-Durman
- Photographer Mico Toledo documents the defiant protestors of Standing Rock
- Kevin Umaña’s abstract paintings portray a musical symphony
- The delicately ornate, but very cheeky sculptures of Liv and Dom
- Wolff Olins and zigbee launch the “first open-source brand for the Internet of Things”
- Too Fast To Think: why switching off unlocks creativity
- Graphic Design Festival Paris reveals 19 sport-inspired posters by Hort, Julia, Spassky Fischer and more
- FKA twigs teams up with 17 year old photographer David Uzochukwu for new Nike campaign
- Special Projects on why, sometimes, design is best kept simple
- Brian Finke captures the glitz and glamour of the Ms. Senior America beauty pageant