Last weekend saw the London Art Book Fair ahead of its New York counterpart starting tomorrow, and among the many attractive propositions – for those who, like us, are perfectly placed in the art-book Venn diagram – were the Whitechapel Gallery’s sale of exhibition posters. If art is a mirror on society, then show posters are the very public point at which artists and galleries seek to convince the wider world of that mirror’s significance and so these are fascinating cultural documents.
But they’re also beautiful artefacts, and the design decisions tell us a lot about what these exhibitions from the 1970s, 80s and 90s were trying to say. Some of the posters will also go on sale on the gallery’s website next week – perfect if you missed out first time round.
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Robbie Simon, the jack of all trades and the master of them too
- Mattis Dovier’s weird and wonderful 8-bit dot animation for XXX’s music video
- Jessica Lehrman's photographic document of social revolution, Black Lives Matter and Occupy Wall Street
- Zoe Kao and Huang Wun-Siang find inspiration in the uncertainty of the design process
- Documenting the world in motion: Lauren Tamaki’s illustrations of modern life
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale