Last weekend saw the London Art Book Fair ahead of its New York counterpart starting tomorrow, and among the many attractive propositions – for those who, like us, are perfectly placed in the art-book Venn diagram – were the Whitechapel Gallery’s sale of exhibition posters. If art is a mirror on society, then show posters are the very public point at which artists and galleries seek to convince the wider world of that mirror’s significance and so these are fascinating cultural documents.
But they’re also beautiful artefacts, and the design decisions tell us a lot about what these exhibitions from the 1970s, 80s and 90s were trying to say. Some of the posters will also go on sale on the gallery’s website next week – perfect if you missed out first time round.
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity