Anje Jager
In such a ‘vector’ dominated world, Anje’s work really stands out. Her drawings are pleasantly simple and thoroughly done. Beautiful work.
This week we have the hugely talented Cassiano Prado providing the guest posts. Originally from São Paulo we first met the film director last year when he kindly took part in our talks series. For anyone not to have checked it out yet then we hugely recommend it but for now enjoy his answers to our regular questions as well as his daily posts starting later today.
I’ve got lots on at the moment so nothing else other than work. Sorry, pretty boring answer.
It is still a bit hazy but I can’t blame Mom. Even I can get confused explaining what I do sometimes.
It depends… I believe after shoots I look like Ren, from Ren & Stimpy.
It would be unfair to pick one.
That I’d love to speak Arabic, Mandarin and Cantonese.
Absolutely. My first two years at University were filled with anthropology and politics classes and were definitely essential for my education. Career wise, I believe my work experiences were more relevant than school. But one can’t go without the other.
Tediousness (Argh!). I can spell it but I don’t like to.
I have the impression people have started to fight for their rights again, in general, like our parent’s generation used to do. I think that’s great.
I am finishing off a fun horror treatment for a (very) short film. Hopefully it will be completed before the end of this year.
I wouldn’t be too sad running a workshop where I could design and build simple classic furniture myself.
In such a ‘vector’ dominated world, Anje’s work really stands out. Her drawings are pleasantly simple and thoroughly done. Beautiful work.
I am rarely impressed with design work these days but Scot Bendall, the man who runs La Boca, often breaks my skepticism.
I was introduced to Zeki Demirkubuz’s work by a great friend of mine who lives in Istanbul. He started posting me Zeki’s films, one by one, and I got addicted to them. His main subject is ethical dilemmas of human conditions. It is painfully raw sometimes, making the films real life experiences.
I have recently started revisiting videos and songs from Roberto Carlos. Probably the most iconic Brazilian Pop Rock star of all times. Roberto Carlos was the main figure of the 1960’s musical movement Jovem Guarda and is nicknamed ‘The King’ in Brazil (As well as Pelé).
This is one of my favorite Record Labels. I’ve been introduced to them by a friend of mine a couple of years ago and had the pleasure of making a video for one of their artists, The Emperor Machine. James Dyer has been the man behind it for the last 12 years. Hats off.