Styling and Salvage
In these days of abundant waste Rupert Blanchard’s ingeniously revitalised furniture points the way to a responsibly stylish future. See his reworked Louis Ghost Chair and Rietveld Crate Chairs for samples of the man’s genius.
David Pearson was born in Cleethorpes, North East Lincolnshire in 1978. He graduated from Central Saint Martins College of Art and Design in 2002 and has since worked in-house at Penguin Books before leaving in 2007 to set up his own studio. David’s book cover designs have won numerous awards and in 2007 The Guardian included him in their list of Top 50 British Designers.
I’m currently designing the packaging for Natalie Merchant’s latest album and I have to send the last of ten Cormac McCarthy covers to print. It’s a novelty to be working with living clients, if I’m honest.
Thankfully they can see my work in their local Waterstones so I don’t have to struggle too much on that front. In fact, my Mum tends to pull out my half-buried covers so they appear cover-out in store. She’s developing quite a reputation for it around town.
A cross between an Ipswich Town footballer from the 1970s and Dirty Dancing’s Jennifer Grey.
Sight although a life without the smell and taste of whisky would be a bleak one.
The reason I’ve never had a mobile phone is because I’m scared of them – although I often let on that it’s a very interesting life choice.
Absolutely yes. I had two wonderful typography teachers – Phil Baines and Catherine Dixon – who have had a huge influence on my career. My education also got me out of a town that boasted exactly no creative jobs.
Leprechaun.
My Mum once turned down a sexual advance from Jimmy Hendrix.
The thing I love most about being a freelancer is that you never know what’s going to show up in your inbox. I shall be designing my first wine label later this month, which I’m really excited about. The client is actually going to send me a case of the wine to inspire me. It’s one of those situations where I’d like to go back in time so I can thank my younger self for making the right career choices. I could take him a bottle of wine. It’d be better than the s*** he normally drinks.
I honestly don’t have one – although I used to be a window cleaner and greatly miss the snaking action of an active squeegee.
In these days of abundant waste Rupert Blanchard’s ingeniously revitalised furniture points the way to a responsibly stylish future. See his reworked Louis Ghost Chair and Rietveld Crate Chairs for samples of the man’s genius.
I like dressing like a trawlerman and Albam help me to achieve this goal. The once Nottingham-based men’s fashion outlet now boasts stores in Soho and Spitalfields Market and is well worth considering for this year’s chunky knit.
Will Schofield’s blog is quite possibly the richest source of book-related design and illustration in the universe. Will displays the fervour of the most dedicated historian whilst time and again proving he has an eye for exceptional images.
David Edwards’ unique brand of electronic music fuses a myriad of live and synthetic instruments to wonderfully satisfying effect. Every track from latest album Amateur Dramatics has been priced according to technical difficulty and the number of musicians featured. If you spend 50p on anything today make sure it’s track 1 – Zookeeper – which can be purchased directly from David’s site. To my ears it sounds way more than 50p difficult.
Cliff Roberts might be best known for his work on animated TV shows such as The Pink Panther, Scooby Doo and Sesame Street but he was also responsible for some beautifully illustrated children’s books during the 1950s. The First Book of Jazz (Franklin Watts, 1955) is a joyous introduction to improvisational music and almost makes me interested in the subject (I just can’t get my head round that freeform, quacking geese stuff).