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    Happy-go-lucky party animal Ewen Spencer is responsible for taking some of the most nostalgic series of photographs of partying we’ve ever come across. He made it his business to attend every underground rave or “it” place to be for the last 20 years or so, and has subsequently given much pleasure to members of the public who, for one reason or another, struggle to remember exactly what these places were actually like. As something of a hero of subculture, we were keen to ask Ewen about his favourite music video. It’s not a rare grime track or a blurry UK hip hop banger, it’s actually just a really lovely song by R.E.M.

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    We’re all big fans of Connan Mockasin, we listen to him in the studio all the time and we were pretty sad to miss him at Wilderness festival over the weekend. When we asked him to do a My Favourite Music Video feature we thought he’d pick something truly obscure and spectacular that we had never seen before – and he did. The recording artist has chosen a music video from an odd corner of the internet, and has told us why he loves it so much. To be honest we’re hoping Connan’s next vid is as great as this one. He says it gets better after a few listens, and yeah – I guess fingers crossed maybe it will…

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    It’s such a pleasure to feature powerful, cool women on the site. Today we have something of a double whammy in DJ, editor and journalist Hanna Hanra telling us about fellow powerful female, Siouxsie of Siouxsie and the Banshees fame. Just to make this even more meta, the chosen Banshees track is about a very powerful, female-oriented Middle Eastern story – how cool is that? As well as being one of the last people to ever interview Lou Reed (jealous) Hanna is also the editor of trendy music mag BEAT and has written for bigwigs such as Vogue, ELLE, The Sunday Times, The Evening Standard and GQ. Here she is on her love for a very rousing Siouxsie video…

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    New York-based director Rajeev Basu has made plenty of curious projects that have kept us occupied for hours at a time, from this video game where your character punches itself in the face to stay awake to this collaborative project in which he invited a bunch of our favourite creatives to imagine what drones might look like once they become legal, so it makes perfect sense that his favourite music video be equally fascinating. And it is – if a little gory (it’s not for the fainthearted). Here he is explaining why he loves it so.

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    Tomas Leach is a longtime friend of It’s Nice That, a terrifically-talented director and a man who’s brimming with interesting ideas. But it’s funny how much more you learn about someone when you hear them talk about the work that inspired them to do what they love. So it is with Tomas’ choice, Daniel Wolfe’s Blind Faith for Chase & Status. It’s a video that’s always worth revisiting, but particularly so after you’ve read why Tomas thinks it’s a “period masterpiece.”

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    Art director, VJ and music video director Hans Lo can usually be found crafting retro-futuristic visuals for up-and-coming electronic acts like Com Truise, Jagwar Ma and world renowned acts like Simian Mobile Disco. So it may surprise you to discover that he’s really just a die-hard metal fan at heart – in particular a lover of the heavyweights of the early 1990s. His favourite music video reflects this perfectly; a stand-out track and seriously creepy piece of Savankmajeresque stop-motion for the legendary Tool directed by their guitarist Adam Jones.

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    I’m glad we caught Dan Wilton while he was on dry land with some time to spare, most of the time he’s cavorting around the world getting drunk in hotel rooms with really cool bands or pursuing his ongoing photography project looking at his beloved American football. We love Dan’s work, and Dan himself, and knowing how much he loves pop culture we asked him tot ell us about his favourite ever music video. Here he is…

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    Ryan Hopkinson’s work is a mesmerising merge of science and technology with art. It therefore seems perfect that, as such a fantastically forward-thinking film-maker and photographer, he’s chosen Björk’s video for All is Full of Love directed by Chris Cunningham, as his favourite music video. We’ve written about Ryan quite a few times, and posted about his photography as well as his stunning film work, all of which uses special effects spectacularly and surprisingly. Here is the fascinating conceptual visual artist on what he likes best about the legendary video, which seems more 22nd Century than anything 20th Century:

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    Absolute banger this week from London-based filmmaker and photographer Phoebe Arnstein. As well as spending her days taking rather uncompromisingly beautiful photographs of her loved-ones, Phoebe has spent the last few years as a professional camerawoman, operating enormous machinery and creating videos for the likes of Jamie Isaac, South London Ordnance and Gang Colours among others. She kindly took time out from behind a lens of some sort to tell us about her favourite ever music video, and it’s an absolutely summery, 90s corker. Here she is…

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    Nicos and Tom are a powerful animation duo from London whose recent project Tharis Sleeps was perhaps one of the most ambitious stop-motion films made in recent history. If you haven’t checked it out yet, go over here and then buy frames here. If you have, and you are already fans of these very talented young men’s work, have a read of their joint-favourite music video, the classic Money for Nothing by everyone’s Dad’s favourite band, Dire Straits.

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    For this week’s My Favourite Music Video we were lucky enough to get the pickings of Igor Haefeli of Daughter, the musical collective he fronts with Elena Tonra and Remi Aguilella. Together, the band are quickly making a name for themselves performing their haunting melodies and gorgeously broody sounds on stages as diverse as in front of the Tate’s recent exhibition Ruin Lust. Here he is explaining why he chose the eclectic mishmash that is The Avalanches video for Frontier Pyschiatrist, directed by Kuntz and Macquire.

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    Filmmaker Andrew Telling is something of a rare gem in his industry, in that each film he makes bears his signature in every single shot, yet he’s able to shift seamlessly from one client to another. It’s pretty apt then that he picked an equally talented filmmaker for his favourite music video, Kahlil Joseph, whose short for Kenzo had us raving a couple of weeks back. He too has an inexplicable presence in his films, making sublime, quietly poetic works that leave his viewers stunned time and again. We owe Andrew a pat on the back for giving us an excuse to rewatch his masterpiece for Flying Lotus’ Until the Quiet Comes.

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    From someone who makes animations about the characters in Guess Who coming to life or short films about small characters meeting and falling in love in treacherous, alien landscapes, it’s pretty weird that Kirsten Lepore is utterly obsessed with Aphex Twin’s Windowlicker. But then again, who wasn’t completely hypnotised when they first saw it? It’s one of those things that remains with you forever, and yes, one of the best music videos of all time. 10 points to Gryffindor for Kirsten sending us a photo of her and a friend dressed up as Richard D. James and one of the creepy dancing girls.

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    Since this feature started I have been praying someone would pick a video from my own youth that I could probably draw out the storyboard for in my sleep. Documentary-maker and spectacular director Toby Dye has picked one of the most controversial and utterly brilliant music videos from the noughties, Christina Aguilera’s Dirrty. Wet, wild and weird it’s a hard-hitting David LaChapelle masterpiece and Toby has justified his love for it beautifully. After you’ve stepped briefly into the past with a chap-wearing X-Tina, go to Toby’s site and check out the work he’s done for Unkle and Massive Attack and a documentary he made about dwarves in showbiz.

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    Fantastic choice today from famed animator and Pick Me Up Select Julia Pott. Julia’s cute but informed work is known and enjoyed by many, particularly because it’s usually pretty hilarious, cute and touching all at once. Here she is telling us about why Jamie Thraves’ video for Radiohead’s Just is the best music video ever made. After you’ve checked this out, have a read of a great interview with Julia we did a few years back, it’s a real insight into her career as an animator.

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    Good choice, Camilla! Surprised no one else has chosen Jonathan Glazer’s career-making epic of a music video yet. Camilla is an expert filmmaker whose work stretches across fashion films, music videos and promos. We particularly like her because she’s responsible for putting a member of Franz Ferdinand in one of those creepy horse masks for a music video. Here she is talking about one of the most legendary music videos of all time, Radiohead’s Street Spirit.

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    Remember that amazing animation of a skeleton running through the shelves of a bookshop commissioned by handbag-maker and book-lover Olympia le Tan? Simon Cahn worked with Spike Jonze on that masterpiece, and has since been making a whole bunch of incredible films for the likes of NOWNESS, Hanni el Khatib and Hermès. Simon’s a pretty cool guy, and a loyal one too it turns out – for his favourite music video he’s picked a somewhat overlooked piece of work from the Spike Jonze back-catalogue. I don’t know about you but I always forget how hilarious Ludacris is.

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    WOW this is a good choice. Music video-director and generally wonderful filmmaker Tom Haines has picked an absolute classic this afternoon to show you all. Yes it’s a bit of a spoiler (don’t watch this if you plan to watch Once Upon A Time In The West, ever) but it’s so incredibly spine-tinglingly terrific maybe it’s worth the sacrifice? After you’ve checked his favourite music video out, go over to Tom’s site where you can see some of the terrific videos he’s directed for people like Devendra Banhart, The Temper Trap, Nick Cave and many, many others. Wowzah!

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    From Calvin Harris, to MSTRKRFT, or from Spiritualized to Jamie Woon, even from bloody Cheryl Cole and Will.I.Am – Vincent Haycock has made videos for a lot of the most important artists making music today. His work is fun, edgy and has a little bit of a dream-like quality to it, which is interesting considering his choice of favourite music video. Get the Kleenex out, re-watching this video and reading Vincent’s words is a surefire emotional blub-fest.

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    We’ve been big fans of Sam Pilling for a few years now – inspired and excited by his work for the likes of SBTRKT and Two Door Cinema Club – so he was a natural contender for our My Favourite Music Video feature. And what a pearler he’s picked; Patrick Daughters’ weird and wonderful video for Depeche Mode’s Wrong complete with a masked man driving a car backwards, hit and runs aplenty and even an almost imperceptible Spike Jonze cameo. Over to Sam to tell us why this dazzles and delights him so..

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    Please give a very warm welcome to Anna Ginsburg, animator and filmmaker responsible for such classics such as this synchronised swimming video for Bombay Bicycle Club and this candid, beautifully crafted animation Living With Depression. Like a lot of the filmmakers we ask to help out with this feature, Anna had a bit of a hard time choosing her favourite ever music video, but I think we can all agree she’s chosen a particularly good one. Here she is telling us why Spike Jonze’s video for The Pharcyde’s Drop inspired her so much. Don’t forget to check out Spike Jonze’s treatment for the video below her article – amazing!

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    Oh hello Philip Andelman! Band and musician photographer extraordinaire and director of music videos for such greats as Beyonce, Lenny Kravitz, Norah Jones, Jay Z and Taylor Swift. Philip’s kindly taken a moment out of his predictably busy schedule to tell us about his favourite music video, so if you’re into a bit of 90s angst and classic, unrelenting Britpop, read on, dear reader. Then go and check out the rest of Philip’s work (including his scrapbooks) and you’ll probably have quit your job and go be a music video director by the end of the day.

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    Johnny Kelly’s bio on the Nexus site reads like a dream to-do list of any animator. An award-winning filmmaker and high esteemed creative, hardworking Johnny has carved a name for himself in the design and filmmaking world by making charming, beautiful short films that have won him countless prizes and worldwide affection. Has he got a favourite music video? Of course he bloody does! And it’s not surprise that it’s an absolute banger. Here he is telling us about Shynola’s work for Radiohead’s Pyramid Song.

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    What an excellent choice here from illustrator/publisher/video-maker Braulio Amado. Braulio’s eclectic body of work has been popping up on It’s Nice That in all its weird and wonderful forms for a while now, and we were curious as to what makes this multi-talented creative reach for the pen and ideas pad. As expected, Braulio did not go down the traditional route of a conventional music video and has instead chosen a mind-blowing dance scene from a classic musical. I’m 100% with him, this is probably one of the best things I’ve ever seen.

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    There’s a reason why Ninian Doff gets the best directorial commissions, and that’s his unparalleled sense of fun. The talented director made his name with a cool little music video about no-handed bike moves and has since made films for the likes of Graham Coxon, Darwin Deez and JJ Doom. He’s picked a Gondry, and he’s apologised for that, but we let him have it as you just don’t get many write-ups as passionate and technical as this. Take it away, Ninian.

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    This week’s music video gush is from director David Wilson. He’s made unforgettable videos from this saucy banger for the Arctic Monkeys, to this even saucier one for Tame Impala. His knack for taking a good idea and injecting some sexy weirdness and alluring visuals into it is making him in very high-demand at the moment. Who better to tell us about his favourite ever music video? Here he is…

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    This week’s My Favourite Music Video comes from hilarious, filmmaking duo Graydon Sheppard and Kyle Humphrey. Since their 2011 stonker Shit Girls Say quenched the comedy thirst of almost everyone in the world they’ve both been busy producing artwork in all kinds of forms. Did you catch the Pure Breeds series on Nowness? Okay go and have a look at that. Then come back here and read two truly beautiful paragraphs from the guys themselves on the music videos that inspired them to be the hilarious, creative men they are today. Woo!

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    Both Becky and Joe found it hard to pick their ultimate favourite music video for this feature. This is funny because only the other day a few of us at It’s Nice That decided that Becky and Joe were officially, hands down our favourite video makers. Are you one of the 14 million people that have watched Don’t Hug Me I’m Scared? If so then you’ll probably agree with us. Here they are telling us about which videos they hold dear to their strange but hilarious little hearts.

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    In times gone by, Dan used to go by the moniker of Daniel has Potential for all his creative sign-offs. Now, in the new year he has stripped it back to his actual name, Daniel Brereton, to turn over what looks like a very professional new leaf. He’s been featured on the site more times than we have fingers to count on, and consistently delivers the wittiest and most watchable music videos we get to sit back and enjoy. So who better to kick off our new weekly music video feature than Dan himself? Here he is on his favourite music video, Spike Jonze’s masterpiece for Daft Punk’s Da Funk.