Photography Archive

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    Unless you have self-consciously wacky parents, it’s likely you’ll have met someone with the same name first name as you. When you’re younger this can make you feel a less special but these days we just have to grin and bear it. The commonality of first names is a theme Tim Morris has focused on in his George series, which brilliantly catalogues famous Georges in visual form.

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    All too often these days we stumble across a jaw-dropping example of set design, only to discover the impressive final image is actually the result of some clever visual trickery and digital manipulation. That’s an impressive art unto itself, don’t get me wrong, but pure CGI can leave me feeling a little shortchanged.

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    The Daily Nice is one of those online phenomenons that’s been sizzling away in the big internet frying pan since 2004, and this month sees it celebrate its tenth birthday. If you’re not familiar with site (where have you been??), the idea is simple: every day its creator Jason Evans uploads one photograph of something that made him happy. There’s no archive, no social media feeds – just that picture taken by Jason on the site for 24 hours.

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    Anyone who’s worked for Ryan McGinley is probably covered in a lil’ pinch of magic dust when it comes to photography. Eric Chakeen proves this point – his personal and commissioned shots are a wild mix of humour and professionalism that is hard to come by. Working in New York, Eric’s skill lies in his ability to roam the streets and take portraits of people with true personality. From a guy munching on a cigar on a scooter to a dog in a post-vet neck cone, anything he turns his lens on turns to gold. You could argue that it doesn’t take much to get a good shot of Alexa Chung, but would many people choose to photograph her in such a stripped-back way? I think not. How great to see someone doing something that so many people are experimenting with right now, but adding that extra bit of style and wit. Cool guy.

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    I’ve had a soft spot for Akos Major’s photography for a long time now and his project Waters has been added to my virtual ‘like’ pile with no hesitation.

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    In a world packed full of photographers focussing their lenses on the young and the beautiful, Andi Galdi Vinko is the antithesis. The Hungarian photographer has a penchant for the strange and the grotesque: a bare-arsed man embracing a tree, a fur-clad woman browsing a garish supermarket aisle, the thousand-yard stare of a wild-haired dandy, and that outright creepy chap with his taxidermy collection. Aside from being regularly unnerving, Andi’s photographs all manage to achieve a profound sense of spontaneity, each representing a moment of reckless abandon from her subjects or simply a chance encounter with something visually arresting – testament to her quickfire camera skills. She’s currently on the move between London and New York, planning her escape from Hungary because “the art scene here is kind of sad.”

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    There’s something incredibly beautiful and natural about Gráinne Quinlan’s series White Crane Spread Wings where she captures the elderly community of Hong Kong practising Tai Chi throughout the city.

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    Series exploring unusual lives are actually not that unusual; however Robert Ellis’ poetic photographs of the New Line community in Ireland stands out with its quiet beauty. This is part of a project about people but – as the scored-out title We are replaced with Where we are suggests – we can learn so much through seeing the place they live in, that we need not even see them.

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    Just as Jamie Oliver is the go-to man for piling shredded food on to rustic chopping boards, Anushka Blommers and Niels Schumm are the go-to guys for photographing girls in their trademark pubescent wallflower aesthetic. Dazed, AnOther and Vogue have all had the special treatment, partly due to the infamous Class of 1998 Self Service shoot that rocketed the pair to stardom. The in-demand duo have been allocated a spot in the glossy, heavy new issue of POP, in which they take extraordinary beauties and style and shoot them to look as if they are waiting for their date to arrive to take them to a 1970s Texas prom. Part Napoleon Dynamite, part Virgin Suicides, this is Blommers & Schumm joyously doing what they do best.

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    Before you start scrolling through Cara’s work, maybe put on the latest Foxygen track and try to pretend that you’re not slouched on a synthetic chair in a well-lit office, but lounging on a wicker bed in the Chateau Marmont, puffing on a cig and watching the swimming pool through your sunglasses. Cara’s candid shots don’t stray too far from a certain scene: the psychedelic music-makers that have been prevalent in the last few years: Kevin Morby, White Fence, Cate le Bon and Connan Mockasin to name but a few.

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    These photographs should carry a warning; they depict such a gloriously idyllic lifestyle they’ll soon have hoards of office workers throwing their suitcases out of nineteenth floor windows and marching, pot plants under arm, to a brighter pastel-shaded future living in slumbering Mexican villages.

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    Flickr is one of those magical treasure mines of the internet that’s sure to yield gems if you just look hard enough, and every now and again on our travels we stumble across a great hunk of uncut diamond. To continue the metaphor, Dave Glass is one such treasure.

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    You’d imagine that behind-the-scenes shots of space missions would be fizzing with tension and excitement, but Noah Rabinowitz’ images tell a very different story.

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    Back in 2006, Bryan Formhals was a listless screenwriter-turned-flâneur, wandering the streets of Los Angeles armed with a rangefinder and buoyed by dreams of a film he was never to write. Instead his hours traipsing about Hollwood turned into this photo series, Los Angeles 26, an ethereal study of fleeting moments and contrasts caught on camera.

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    Big thanks to Nathan and Jacob of Haw-Lin for their recent updates that have led to us finding the work of photographer Joyce Kim. Joyce’s photographs lead us tentatively by the hand behind the scenes of some remarkable music videos where our eyeballs are given VIP treatment and treated to perfect shots that are in such high-res that you can almost smell them. The grainy monochromatic photos taken during the making-of Earl Sweatshirt and Childish Gambino’s music videos are sublime, but we’d have to agree with Haw-Lin and say that the photos of Josh Homme with loads of Japanese businessmen for the hedonistic Smooth Sailing video are the very best. That shot of all the guys in suits falling asleep on each other in front of that security grate is beyond perfect.

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    It takes a very discerning eye to photograph the famous faces who’ve already graced posters, ad campaigns and magazine covers in a new light, but somehow Boris Kralj has made this fine-tuned art his bread and butter. His subjects range from some of the most famous figures in contemporary culture – Susan Sarandon, Vivienne Westwood, Brian Ferry and Karl Lagerfeld – to models in fashion shoots and commercial work, but all faces receive his attentive treatment. It feels as though he’s spent hours with each subject observing their characteristics and flaws in able to mild this knowledge into a uniquely insightful portrait, and thought I’m sure this can’t be the case it certainly is an impressive thing to master.

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    The closest many of us Brits ever come to a machine gun is when we’re hiding behind a bucket of popcorn the size of a small child in the front row at the cinema, so you can imagine our fascination at seeing this new series by Brian Finke. Brian spent four years photographing US marshals, the longest standing law enforcement agency in America who work under the federal courts. They are “tasked with protecting judges, prosecutors and witnesses, and are also responsible for transporting prisoners and tracking down the country’s most dangerous fugitives,” the book explains.

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    Something very special happens when a lot of time and effort goes into something silly. This new series from Mike Mellia takes the style he’s perfected during his modern artists in the style of old masters project and sees him create one selfie a day that he uploads to his Instagram account. Gently taking the piss out of selfie culture, Mike poses for ludicrous self portraits depending on his outfit of choice with captions such as “That one time I founded the Roman Empire” or “That one time I asked the workers of the world to unite” (best said in a high-pitched American accent). The great thing about this project is its longevity – if this was a one-off photo it wouldn’t be anywhere near as hilarious.

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    Olivia Bee is fantastic. We’ve been following her in a non-stalker way for a good few years now, and can report that we were in fact correct in predicting she was going to be big. What’s so great about having a look at her work after a bit of a gap is the realisation that even though she’s been doing a lot more commercial work, her Flickr is still a paean to the wild beauty of youth. Even better, before where her photographs depicted kids on the brink of puberty – clumsily exploring the world and exploring being grown ups – now her subjects (some of them we recognise from before) are now actually approaching adulthood. That includes Olivia too, and these new wild, fizzing photographs are total, unadulterated proof of that.

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    Emily Kai Bock is the filmmaker responsible for music videos for the likes of Arcade Fire, Grimes and Grizzly Bear, which explains why her eye is so well-trained at spotting the moments she captures in her photography, too. Shooting strangers in the street and yet capturing strangely warm and intimate portraits she seems to form immediate bonds with the people she spots on her travels, from a girl waiting in line to pay for her groceries to a glamorous but frustrated woman crossing the road. There’s something transfixing about the vulnerable but unwavering eye contact her subjects fix on her, almost as though they are the only two people in the scene to recognise her existence. It’s a rare talent, but it seems to come very naturally to Emily, and we can’t help but feel grateful for it.

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    “Paradise is on the edge of an industrial estate just north of the M25. It’s also behind a Jobcentre in Manchester. By the bins.” What a difference a poetic opening line of a project caption can make! Oli Kellett sent this project in after the success of his 2011 project where he found street signs around the world that look like British words spelt wrong. Paradise is similarly genius: with the help of Martin McAllister Oli travelled the UK since 2010 photographing any road, street, lane or close that contained the word “paradise” in its title.

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    If the pseudonym Synchrodogs calls to mind a troupe of people dressed in a trippy barrage of Cyberdog-influenced body suits sprawled across luscious green meadows, in front of waterfalls and crouching on cracked deserts, then you’re on the right track. Tania Shcheglova and Roman Noven have been working under the moniker since 2010, and their unique brand of out-of-this-world fashion photography set in apocalyptic environments has earned them a reputation for making fascinating, if bizarre, imagery.

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    Entering Alma Haser’s portfolio is very much like going down the proverbial rabbit hole. The young London-based photographer was recently named in the D&AD New Photographers Ones To watch, the latest accolade in a career that’s going from strength to strength.

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    London-based brand Heresy presented its new collection this week in the guise of its Autumn Winter 2014 lookbook. Entitled Forming, the collection is a quiet amalgamation of illustration and traditional workwear, combining illustrated elements and hand-drawn type with carefully crafted structural staples made from loop-back jersey and felted wool.

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    A lot of us will have been there; you’re trying to mow the lawn and you can’t get the ruddy dog to leave you alone. It’s annoying sure, but if I had dedicated my life to God then I might see it as an (al)mightily unfair frustration.

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    Helsinki’s finest, photographer Osma Harvilahti, shot this campaign for Finnish designers Marimekko in one afternoon. From the photographs it looks like it must’ve been a deliciously dreamy few hours, all cosy cups of tea and crisp breezes ruffling the blinds, but knowing the intense level of aesthetic precision in Osma’s work, behind-the-scenes might’ve smelled less of flowers and more of frazzled nerves. The result, however, is serenity itself.

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    The term athlete is actually a vague catch-all word that encompasses a great variety of body types, depending on the specialist’s chosen discipline. This new project from photographer Paul Calver and art director Gem Fletcher celebrates what the pair call “the perfectly imperfect form of an athlete’s body” by focusing on a boxer, a martial artist, a runner, a bodybuilder and a sumo wrestler.

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    For me, stumbling across Roger Minick’s archive of photographs of sightseers at tourist destinations is akin to opening an old box in the attic and finding a heap of jewels stashed in it. The Sightseers Series began in 1976, when while teaching photography workshops in Yosemite National Park, Roger was distracted by the hordes of visitors posing for photographs in front of the views.

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    Photographer Victoria Ling has the kind of portfolio anyone would be envious of, brimming with exquisitely polished photographic work; still life compositions created for high-profile clients and personal projects alike. Her work achieves the kind of ethereal polish that makes you wonder how much of it could possibly real, but the majority of her imagery is all captured in camera, as she explains below…

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    Voters in Scotland are today deciding whether to swap 300 years of union with England, Wales and Northern Ireland for the nationalist dream of an independent country. The referendum is being held exactly 700 years after the Battle of Bannockburn, where Robert The Bruce defeated the English army of Edward II and every year a re-enactment is held to bring this major historical landmark back to life.

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    The dazzling lights of David LaChapelle’s hyper-realistic photographs, glinting from neon and metallic and shimmering objects, send a hazy glow into the dark background; a magical aura that conjures up memories of fairground rides and bonfire nights and hot breath misting up the air in front of you. The photographer’s images are no less magical really; they draw you in, bedazzled and bewildered, like a ditzy moth drawn to a lamp, and then surprise you by being even more brilliant than you realised at first.

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    Imagine for a moment that the shoebox under your bed was filled not with photos of your Great Aunt June snoozing on the sofa last Christmas, but with photographs taken in space by astronauts on Apollo 14. For a lucky few at NASA this is (almost) true, and fortunately they’re more than happy to share their treasures with us proles in the form of a new exhibition at London’s BREESE Little Gallery.

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    I think we can all agree that in the past few years food photography has pretty much reigned the internet as far as image-porn blogging is concerned. And yes, photographing tangerines on bright blue backgrounds does always look nice, we get it. But among the thousands of people documenting food in order to gain online notoriety there are some photographers who are known in the industry as the ones who can really, really shoot food.

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    The debate over so-called “ruin porn” has raged for several years now, exploring the cultural and ethical ramifications of turning the decrepit and dilapidated into art. But if anyone could breathe new life into this kind of project, it’s Nadav Kander. The photographer’s new show Dust opens in London today, and takes as its epigraph the T.S Eliot line: “I will show you fear in a handful of dust.”

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    The best portrait photography is truly mesmerising; a compliment which can surely be paid to Alex Ten Napel’s series of Alzheimer’s patients. In a somewhat ironic manner, the Dutch photographer has created enrapturing, memorable images of elderly and enigmatic faces. They’re both heartbreaking and joyful, delightful and despairing, as Alex has caught “that specific moment portrait photographers wait for: the moment in which posture and facial expression come together in a meaningful manner.”

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    There’s not an amateur photographer alive who hasn’t got a roll of film back from the developing booth of their local supermarket to find that almost every picture is clouded over by a giant fleshy finger. Usually it obstructs most if not all of the image and sends the photograph itself catapulting straight into the nearest bin in a fit of frustration.

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    A year on since we first covered George Osodi’s work on the site he continues to astound us. The Lagos-based photographer produces some of the most incredible photojournalism I’ve ever seen; this series Nigeria Monarchs: The Custodians of Peace and Cultural Heritage documents the figures across Nigeria who, in spite of having no constitutional rule since the monarchy was officially abolished in 1963, remain key personalities in the country’s political landscape. The travelling exhibition had a stint in London last year and is about to open in Budapest, Hungary, serving as further proof (if any was needed) of the curiosity which exists worldwide about these majestic and exotic figures. What’s more George hopes to photograph 100 of the monarchs, so the collection is not due to stop growing any time soon.

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    September is always a time for nostalgia; it’s that back-to-school, turning-of-the-seasons vibe that goes hand-in-hand with a certain sense of self-reflection. Few moments stick in our minds and come to define our personal stories more than our first kiss; that giddy mixture of nerves, anticipation and a feeling of the moment’s huge significance that rarely tallies with the physical reality! For its latest brief, MOPHOTO are working with Cornetto and asking young photographers to create an image of a first kiss that captures that dizzying array of emotions in a single visual.

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    I’m loth to comment on summer’s swift disappearance or the vague possibility that it might get warm again in the coming weeks, but how can I miss the opportunity which this series by Anaïs Boileau has so generously handed me? This brilliant photo-series examines the women who live for a tan, happily sunning themselves with foil trays pressed to their chins and eye-protectors plastered to their sockets. There’s something gently teasing and kind of funny but also really well-constructed about her images – the props make for a natural frame so you’re confronted with a very immediate manifestation of our society’s obsession with bronzed skin, which seems more ridiculous the longer you think about it.

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    Family life can be strange, unsettling and oppressive as well as happy, funny and ridiculous, and it’s this sometimes-sinister underside of the domestic sphere photographer Joanna Piotrowska seeks to elevate with her series FROWST. Her black and white images capture ambivalence and double meaning in the family home; brothers and sisters lie awkwardly across one another and pull at each other’s bodies in strangely stagnant compositions, while oddly familiar environments are imbued with a quiet strangeness that’s not entirely new.