Publication Archive

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    Circular is the members magazine of the Typographic Circle, a not-for-profit organisation that unites type designers and enthusiasts the world over. Included in its members’ list are names like Ken Garland, Angus Hyland and Jonathan Barnbrook, so the design of each issue HAS to be up to scratch. For its 18th edition the mighty Pentagram have continued their design duties, with Dominic Lippa and Jeremy Kunze overseeing the project.

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    I am a big believer that every magazine should be able to sum up what it does in a few words. New title The-Art-Form does just that with the pithy statement that it’s “a limited edition publication about art and artists.” Issue one features six artists – Ian Davenport, Peter Liversidge, Rana Begum, Dan Baldwin, Michael Reisch and Paul Insect – and each has been asked 13 questions ranging from why they make art to their favourite place. The answers vary not only in tone and subject matter (as you’d expect) but also in form, so while Ian has provided handwritten answers, Michael, Dan and Rana have created paintings, drawings and sketches in response to the questionnaire.

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    Nourished Journal is a new bi-annual lifestyle magazine from MADE Publishers, the same stable who bring us MADE Quarterly and The Process Journal. Beyond that it’s quite hard to pinpoint what it’s about, and that’s kind of the point, as it aims to reflect “a holistic view of life.”

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    Back in 2012, New York-based “computer programmer, composer and artist” (the order is his) Cory Arcangel started a Twitter feed called Working On My Novel. It Retweets people who use that phrase, and now Cory has published a book which brings together a selection of some of those Tweets (all with the permission of the authors it should be noted).

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    One day news might reach us of a Unit Editions publication that doesn’t knock our socks off but to paraphrase Gladiator “not yet…not yet.” Type Plus is the latest title from Adrian Shaughnessy and Tony Brook’s imprint and it sets out “to investigate the practice of combining typography with images to increase effectiveness, potency and visual impact.”

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    Thomas Rousset and Raphaël Verona’s Waska Tatay is fairly ambiguous at first glance. The cover is a simple yellow-to-blue fade with the title placed inconspicuously on the spine; but the content is altogether more arresting. Using a mixture of reportage and staged portraiture the photo book documents the pair’s trip to the Altiplano region of Bolivia and their encounters with witch doctors, spiritual healers and medicine men; uncovering the rites and rituals of these ancient orders and illuminating some of their extraordinary mythologies.

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    The ongoing success of the Plant Journal has re-engaged readers with the botanical world through an art and design lens; now a new book plans to take this exploration even further.

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    Food passages in books have always been some of my favourites in terms of creating flavoursome texture and setting a scene. There’s something so delicious about reading what your favourite characters are eating and drinking, and food descriptions really bring a setting alive. That chowder scene in Moby Dick has remained in my mind as being one of the cosiest and scrumptiously rustic meals, and all of my winter soups aspire to Melville’s hearty description.

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    I’m loathe to use the term “coffee table book” for a publication which seems to demand to be read anywhere and everywhere, rather than sitting untouched next to a selection of coasters. Still, the new tome by photographer Kenny Braun necessitates it; Surf Texas is a book so good that you’ll be desperate to keep it where it can be seen by anyone who might be passing idly through your living room.

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    There’s no end to illustration projects that revolve around the observation of daily life – in fact that’s the main skill an illustrator needs to possess in order to communicate visually. And yet there’s surprisingly few that result in work as lovingly scathing as Grace Wilson’s. Her latest publication Eyes Peeled details the trials and tribulations of studying abroad, travelling the world and returning home to mundane conversations with parents huddled around pints in a pub.

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    The difficult second album is a widely recognised cultural phenomenon – bursting onto the scene is all well and good but staying there is not for the faint-hearted. The first look at the second issue of Intern magazine suggests there’s no such concerns here. Continuing its mission to “delve deeper into the intern culture in the creative industries while showcasing work from some of the precocious talent that make up this burgeoning workforce,” Alec Dudson and his team have once again found unusual, innovative and considered ways to address this most divisive topic.

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    Remember that amazing book about people in Jamaica wearing Clarks shoes? Well the makers of that spectacular publication are back with another subculture study, this time looking at the sound systems created in Huddersfield by the migrant Jamaicans who had recently arrived after World War Two. “The market town of Huddersfield, nestled within the Pennine Hills of West Yorkshire, has made a remarkable contribution to UK sound system culture,” the press release states. “From Armagideon to Zion InnaVision, the Arawak club to Venn Street, Matamp to Valv-a-tron, this unlikely location has been a stronghold of the British scene, yet has remained largely overlooked.”

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    We’re used to seeing publications about food and publications that play with the book/magazine format, but Cookbook combines these two forms into something very special. The second issue of the annual Madrid-based title reached us recently, resplendent in its smart blue cover which Albert Folch – designer, surfer and subject of numero #2 – describes as “a colour that has accompanied me since I was a kid.”

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    Since 2001 Sebastian Cremers, Tania Prill and Alberto Vieceli have been working together in Zurich under the name Prill Vieceli Cremers, producing work for reputable cultural institutions, a selection of fine artists and working on personal projects ranging from the cute to the bizarre. With an approach to design that could easily be branded experimental they attack each project with an impressive vigour, tailoring their methodology to the project at hand – meaning their portfolio is loaded with fantastically diverse work.

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    It’s a popular misconception that graphic design is practiced solely by tight-lipped Europeans in freshly-starched shirts who sit around planning white space on fresh pages – it’s an industry renowned for its neatness. But Hong Kong’s finest documenters of design trends Viction:ary have just released a new volume that proves quite the opposite; that there’s room in design for fast, loose, expressive graphics that speak of an energy no Swiss Modernist could possibly convey. Making A Splash brings together over 150 of these projects that utilise tactile media and fluid forms to create striking visuals that express a wilder side to design that we often fail to acknowledge.

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    For us, there is absolutely nothing better than a fantastically insightful, informative article accompanied by beautifully executed illustration or photography. This is why we, and most other magazine readers, enjoy The Gourmand so much – it is absolutely full of well-thought-out, intelligently considered combinations of curious text and image combinations. In their latest issue they asked prolific writer and chef Simon Hopkinson to delve into some of London’s oldest and most treasured butchers, bakers a food-peddlers – some no longer standing, some still going strong.

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    The pursuit of happiness is a preoccupation that concerns nearly all of the western world – job satisfaction, thriving inter-personal relationships and a constant sense of well-being are things we’re all convinced we need to strive for. And yet so few of us ever really find that balance. This is something that Eleanor Davis knows only too well and has sought to explore in her latest collection of comics How To Be Happy, an amalgamation of short stories and sketches created over the past seven years. It’s a stunning body of work that brings together loosely personal and wholly fictional stories about joy, anguish, fear and loneliness – emotions all motivated by that essential quest to be the best you can be.

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    Jeez, Riposte is so good. For their debut issue that magical thing happened where it took a while to spread the word, but just as it was about to sell out suddenly people got wind of how incredible it was and there was a huge clamour for copies. Focusing on powerful women in the creative industry, the magazine is a charming, informed look at some of the most uniquely smart people in the world – not to mention beautifully designed by Shaz Madani. This issue features legends such as Deborah Sussman, rapper Lizzo, writer Chimamanda Ngozi Adichie and filmmakers Natalia Leite and Alexandra Roxo of Purple Milk. You can pre-order the second issue over here, and I advise you don’t waste much time in doing so.

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    As the novelist Tom McCarthy points out in his introduction to this engrossing and beautiful new book, in some ways smartphones have fundamentally changed our relationship with maps. But the outcry over inaccuracies, glitches and inventions in certain map programmes proves one of the longstanding fundamental truths about that relationship; “that maps don’t work, and never have.”

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    The World Cup inspired projects are coming thick and fast now but few have breached our offside trap more comprehensively than this. It’s a collaboration between designer Dave Sedgwick (Studio DBD) and the Bacelona’s Hey Studio, whose excellent Every Hey Instagram feed has embraced World Cup mania for the purposes of this new book.

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    The hugely talented, crisply bearded Owen Gildersleeve popped into the studio last week to deliver a copy of his new book and my word it’s a real belter. Paper Cut: An Exploration into the Contemporary World of Papercraft Art and Illustration does exactly what it says on the cover by way of showcase 25 case studies into individuals and studios working in this medium. From Rob Ryan and Chrissie Macdonald to Andersen M Studio and Le Creative Sweatshop, the subjects come from different countries and use different creative approaches to make the most of paper’s tactile qualities.

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    It’s no secret that in spite of the increasing digitisation of contemporary culture, we still dearly love to hold actual objects in our hands – and the more elaborate the better. It’s a fact that record labels, magazines, publishers and most other spheres of the packaging industries have been exploiting for some time, fashioning beautifully ornate objects for which fans are only too happy to part with vast sums; whether it’s a die-cut, debossed, double gatefold or otherwise.

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    “Summer summer summertime,” sung The Fresh Prince’s backing singers in his smash hit song, Summertime. Why? Because he freakin’ loves summertime – and so do we!

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    The trouble with the wealth of magazines populating the shelves of newsagents worldwide these days is that too many of them purport to be something they’re not; a look at global culture in 100 pages, for example, or a snapshot of the newest, freshest, most exciting trends. Perdiz magazine, on the other hand simply claims to be about happiness; a humble goal, but one which this brightly coloured publication achieves very, very well.

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    Fan art is a weird and wonderful world with laws entirely unto itself. Long-term lovers of comics, film and heavy metal bands (it’s usually these three demographics) with even slight artistic leanings love nothing more than to scribble their heroes onto any spare surface they can find – acetate cells, copy paper and even their own skin. In the field of fan art though, one recent project is head and tails above the rest: Bartkira.

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    Studio Hato have been around in some guise or another since 2009, although they’ve only recently given themselves an official name. They’re the design branch of a multi-faceted organisation that also includes Hato Press (an exceptional Risographic print studio) and Hato Labo (a digital design and programming team) all based in north east London. Its founders, Jackson Lam and Ken Kirton, have been around since the very beginning, working away on a multitude of commercial projects behind the scenes, while the reputation of the press has grown.

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    Every time a new erotic title comes through the door we wonder how long they’ll survive. There’s so many “intelligent” magazines out there with a penchant for nudity that we assume only a few will last more than a couple of issues – even if the quality is superb. One title in the erotic stable that continues to grow and develop is Odiseo, a publication from Barcelona’s Folch studio that’s more of a book than a magazine. In it you’ll find a sensitive approach to erotic subjects and a wealth of illuminating opinion pieces all of which subvert what we’ve come to define as erotic in the digital age.

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    We featured Madeleine Waller for her photographs of swimmers at London Fields Lido way back in 2010, so you can imagine our delight to find that these very charming images have been published in a book all of their own, entitled East London Swimmers, by Hoxton Mini Press.

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    Book cover designer Peter Mendelsund has just finished work on a publication that brings together the fruits of his career thus far in the form of a rather beautiful monograph. To those of us that know his work well it seems like a deserved achievement to have it represented in a book of his own, but he’s typically modest of the honour: “After producing enough passable design to have established a reputation – and after having participated in the requisite interviews, given the obligatory talks, and pursued the necessary whimsical side projects of varying natures – it is de rigeur that a designer should then publish a book of his or her work.” And so he has.

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    In 1978 Greg Reynolds was a closeted homosexual working as a youth minister for a large, conservative, religious organisation in the USA; the InterVarsity Christian Fellowship. His role was to train young Christian men and women to evangelise their peers in their hometowns. During term-time Greg would travel the country to colleges and universities, then in the summer his work would take him to Bible camps in Fort Lauderdale, Florida.

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    Graphic designer, photographer and collector Marc Walter has amassed an extraordinary collection of photographs for TASCHEN’s latest publication An American Odyssey. With them he creates a comprehensive picture of the new world in its earliest days, all ramshackle mining towns in the Midwest, steam boats in New York’s first ports and an explosion of new industrial cities. Not only does this collection of images provide a unique examination of life over a century ago, it presents it all in full colour by virtue of techniques called Photochrom and Photostint that predated autochrome by almost 20 years – capturing “the rich ochres and browns of the Grand Canyon” and “the dazzle of Atlantic City” for all to see.

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    The world is a funny old place, full as it is with landscapes so far beyond my realm of understanding that I can barely even begin to comprehend they exist. To see environments such as Australia’s salt mines crystallised in a photography series is understandably quite impressive then, and no more so than the landscapes themselves; vast expanses of white populated only by the occasional crane and digger and overhung with a glorious blue sky,

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    What a joy it is to come into It’s Nice That and have a filthy, hardback comic book that you’ve been waiting patiently for for what feels like FOREVER sat on your desk. Forming II is the brainchild of Jesse Moynihan, infamous comic book creator and storyboarder for widely-loved cartoon, Adventure Time. For some reason I personally cannot get into the latter, but the former I love with all of my heart.

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    The fourth issue of Hannah K. Lee’s risograph zine, Everyone Else is Younger and More Talented, is a beautiful portrayal of the insecurities felt by every young artist. Spiky, stringy shapes and forms wriggle through one another, evoking nerves and the inside of a mind which is riddled with doubt. On one side of a page, Hannah portrays a dream compliment, and on the other, a twisted, frightful version, a fear of what people might say or think. A lovely little book of wonderfully expressive patterns and designs, there to remind you that you are never alone in your anxieties.

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    Paris-based graphic designer Michael Thorsby originally hails from Sweden, but has travelled across Tokyo, Copenhagen and London picking up influences and developing his work before settling in Paris with a visual language that’s entirely his own. His projects vary enormously from luxurious pattern design fro the likes of Sixpack France, beautiful posters for obscure bands and laboriously 3D rendered commercials for automobile brands. There’s seemingly nothing he can’t do.

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    We thought Molly Molloy and Gianni Tozzi set the bar pretty high with the first issue of Parterre de Rois which combined carefully curated content and first-rate art to create a seamless first instalment of a new publication, all based on the theme “carnal.” As the second issue proves however, even the excellent can be bettered the second time around.

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    The first issue of HOLO has arrived, tele-beamed straight from the not so distant future, and it’s a fantastic document of all things manifest in the post-machine age. The magazine is an intriguing blend of various editorial formats, striking images, curious interviews and carefully curated content, and it plots a detailed and fascinating trajectory into a future that, whilst reading the magazine, you begin to realise is already with us.

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    It’s common knowledge that Granta produce beautiful books, so it’s hardly surprising that their latest selection of new writing, themed around the idea of Japan, comes so prettily packaged. With exquisite illustration peppered throughout, this book is a wonderful exploration of the idea of Japan, a country so recognisable to us, and yet which can seem so mysterious and distant. 

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    Just in time for Summer, Issue 6 of The Plant has sprung, and it’s a beautiful bouquet of all things botanical. Dedicated to flowers and flora, weeds and weeping willows, the journal brings together the works of all kinds of green thumbed creatives.

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    We first came across photographer Colin O’Brien last autumn, when we interviewed him about his stunning 1987 series Traveller’s Children in London. The book which housed the series was an understated affair, allowing his monochromatic images to speak for themselves, which they did in volumes of sentimentality and nostalgia. And while understated can be lovely, Colin’s back catalogue is so extensive – beginning as it does in 1948 and stretching all the way to the present day – that we couldn’t help but feel that he deserved something more.