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Double page wrap to advertise The Guardian’s podcasts
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Single sleeve artwork for Tim Exile, Warp Records
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Portrait of Frank Henenlotter (Horror & Sexploitation film director) for Moviemaker Magazine (US)
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Cover for G2, where I was asked to make Martin Amis look angry and evil
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Press campaign for Gazzetta Dello Sport. Portraying a grueling cycle race in Italy called Giro Di Lombardia
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Photomontage interpreting behind the scenes of Fritz Lang’s iconic silent film Metropolis.
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Illustration for the Guide’s feature on the many sides to Sir Paul McCartney
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Endpaper for Weidenfeld and Nicolson Hardback, One Day In The Life of Ivan Denisovich. Commissioned by Fallon
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Flyer for Pure Groove record store in Smithfields, London
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Front Cover for Der Spiegle’s Kultur supplement
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Album Sleeve artwork for Tim Exile’s Listening Tree, Warp Records
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James Dawe
Guest Posting 5 - 9 October 2009
London based illustrator James Dawe graduated from the University of Brighton in 2006 before returning to the familiar but rapidly changing surrounds of Dalston (where he was brought up) and now works.
Specializing in contemporary photo collage James gained valuable experience of the creative industry while interning at Village Green, where he worked on various projects including the iconic posters for Fabric nightclub as well as campaigns for Sky Sports. Currently represented by Pocko, James is deservedly creating a name for himself having recently worked with Wieden+Kennedy on a press campaign for the Guardian.
What have you got planned this week?
I want to find a decent library and go to museums to source some imagery for a couple of projects I need to get off the ground. For one project I’d like to photograph zoo type animals but rather than spending a day at London Zoo (however much fun) I may try and find somewhere which preserves certain creatures in jars or keeps their bones. I’ve got an appointment with the dentist to look forward to on Friday aswell. Avoiding doing accounting for my income tax seems to be a regular weekly occurrence too.
What do your parents think you do?
My parents are fairly with it in terms of knowing what I do for a living although my Dad only seems interested if it’s something that appears in the newspaper or for a big commercial client.
Who do you look like?
Now I’ve grown my hair out from a skin head and acquired a side parting perceptions may have changed a bit. I have had Steve Coogan once, which I can’t really see, especially not in his Alan Partridge guise! One of my mates thinks I look like gangland criminal Kenneth Noye, who’s doing time for manslaughter. Nice.
What’s your favourite sense?
Because I’ve been thinking about this recently I instantly would say taste. Eating well is very important to me and after finishing one meal I’m sometimes already thinking about the next. Sight would have to come a close second obviously.
Tell us something people don’t know about you…
I passed grade 6 at classical guitar and have sadly long since forgotten most of what I learnt (including how to read music), but have intentions of taking it up again one day although it involves a lot of patience and discipline.
Did your education count?
Yes, very much so as it’s prepared me for what I do now. The illustration course at Brighton was well structured and competitive. I have had some influencial tutors, I suppose you could say mentors who have encouraged and got the best out of me. A lot of friends at secondary school wanted to go straight into jobs at 16 and I was being swayed in that direction. Reluctantly I went to sixth form, loved it and excelled from there. For me it was the right choice.
What word can’t you spell?
When typing fast and being a bit casual I still get the theres/theirs the wrong way round and my mum still points this out.
Tell us a good fact
Hackney Marshes has the highest concentration of football pitches in the world.
What’s Next?
It’s a dilemma because I’d like to produce more self initiated personal work and at the same time earn more money. Unless you’re pretty on top of your game the commercial work always means somewhat of a compromise. What Stephan Sagmeister did, by shutting his studio down for a year to take on person projects has to be admired (if you can afford to do it). I’d like to collaborate more with my contemporaries, such as photographers and animators and tutoring has recently crossed my mind. I must be getting old! Working abroad has always been a challenge I would like to give myself as I grew up in London and a permanent change would be welcome.
What’’s your ‘Plan B’?
Live the lifestyle of Keith Floyd and travel the world experiencing wonderful food. Definitely not returning to work in retail.
Guest Posts
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Build/Flying Lotus
- Guest posted by James Dawe 5 October 2009
This album artwork caught my eye whilst browsing through the new Warp site. The record sleeves are designed by Build and are an intriguing abstract series featuring torn and stretched man made material. The photographs (taken by Timothy Saccenti) are actually of latex sculptures created by Commonwealth (USA). Black and white photography is always powerful and these sleeves have a dark apocalyptic aesthetic to them. They partly remind me of the anti smoking campaigns of the late 80s early 90s showing the tar built up in a smokers lungs. An accomplished body of work.
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Hubert Blanz
- Guest posted by James Dawe 6 October 2009
This is another self-indulgent post, but I suppose that is the idea. X-Plantation is a series of perspective defying montages making the maze of airport runways, with their mysterious signage even more confusing but 100 times more pleasing to the eye. The compositions are chaotically considered and the green-grey tones of the tarmacs give the pieces a subtle colour palette.
Like a 2D version of an Escher drawing, Blanz’s interwoven strips of tarmac don’t seem to have an escape route, start or finishing point. This explains his fascination with ‘mass transit non-places’ and sourcing imagery of these places haphazardly via the internet.
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Spellbound – The Dream Sequence designed by Dali
- Guest posted by James Dawe 7 October 2009
I saw this surreal sequence showing the analysis of a dream for the first time a couple of years ago at the Dali & Film exhibition at the Tate Modern. It made me stop my steady circuit of the show and watch it two or three times on a loop. The film was directed by Alfred Hitchcock and produced by David O. Selznick who hired Dali to do all the paintings, sketches and set design. The most outstanding of which is the curtain of eyeballs, which is cut (in the film) by a man with a huge pair of scissors. This two and a half minutes of film showcases Dali’s ability to visualize a dream and cleverly morph one object or incoherent scene into the next.
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The Evergreen Press / John Grice
- Guest posted by James Dawe 8 October 2009
I thought for this post I should keep it in the family and try and give my uncle some well deserved exposure and praise. His workshop, based in Gloucestershire (just outside Stroud) is housed in a wartime bomb proof building and is home to a well ordered range of typefaces. Some date back over a century and others are pretty unique such as the bold sans serif Zeppelin face. Seeing John meticulously at work setting type for a large book and hearing the wuur and click of the old presses is an inspiring experience. Finding a new generation to learn this dying art is the problem.
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Mat Collishaw
- Guest posted by James Dawe 9 October 2009
Currently being exhibited in Haunch of Venison’s Berlin gallery are the distorted delights of Mat Collishaw’s blown up photography. His ultra macro photographs are of crushed insects, taken soon after they’ve met their sorry end. Collishaw must pounce upon only the finest of dead insects because all are vivid in colour and have a painterly quality resembling a classical still life oil painting or shards of stained glass. Lets hope the show comes to Haunch of Venison’s London gallery soon!










