Designed by Minna Sakaria, Carolina Dahl and Maria Ines Gul, this great identity for the upcoming Royal College of Art’s School of Communication Work-in-Progress show is a modular representation of the works in progress that’ll be exhibited. Made up of a set of parts, the typeface allows for each element to contribute to any number of letterforms or abstract shapes. As well as existing online and in print, the specially-designed typeface has been printed on stickers with the intention of interrupting the RCA’s corporate identity in a playful and productive way.
The show runs from 5 to the 8 February, with work from the Animation, Information Experience Design and Visual Communication courses.
- Clean it, beach: Reto Schmid's new fashion series shines light on the plastic waste problem
- Short film Krista demonstrates the power of drama to overcome trauma
- Robert Rubbish takes us on a hazy, illustrated day of the places and people of Soho
- Studio Moniker’s collaborative painting tool turns the Earth’s surface into a giant canvas
- Tales of the sea: behind John Morgan’s identity for Island, the British Pavilion at Venice Biennale
- Photographer Pierluigi Macor travels to southern Italy to capture interesting characters
- Custom Typefaces: are they worth the hype?
- Bonjour Garçon combines photography and graphic design to make "strong and delicate" work
- Iconic film poster designer and illustrator Bill Gold has died aged 97
- Juno Calypso's eerie new series sees her posing inside Nevada’s plushest bunker
- 4Creative brings The Handmaid’s Tale’s dystopian world to Britain in provocative ad campaign
- "Football's Bayeux Tapestry": behind the scenes of the embroidered BBC World Cup trailer animation