Anglo–Spanish photographer Arnhel de Serra has a talent for capturing the idiosyncrasies of our culture which I presume is at least partly down to the perspective inherent in having mixed heritage. In projects like Shows and National Trust he succeeds in showing that these quintessentially British features are not abstract environments but events where people come together and passions are shared.
His is a multilayered approach, which sets as much store in the dozing elderly National Trust visitor as it does the sweeping vista of the property itself, and values the intimate moments in a shady vegetable tent as much as the big set-piece country show stalwarts. As a mirror on ourselves it’s not just accurate, but charming too.
His work will be on show as part of the London Festival of Photography which starts in June.
- Seoul-based Shrimp Chung’s dynamic designs are bright and full of impact
- Choreographer and director Holly Blakey on making work for everyone
- Elise By Olsen on stepping down as the world’s youngest editor-in-chief
- Pentagram designs Francesca Gavin’s Watch This Space, dissecting the screens impact on society
- It’s Nice That and Camden Council host evening of talks by LGBTQ creatives
- Michael Marcelle’s photography is “like a broken funhouse mirror in a gay haunted house”
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity