David Galasse looks like he does it all and does it really well. His bright, wonderfully applicable graphic design doesn’t follow the trend bent but instead does a fantastic job of creating truly personal identities, printed collateral, web/mobile/app design, animation etc.
What David does best is translate personality and ideas really nicely into type that literally lets the concept speak for itself – as seen in a new face created for the Cine Favela Film Festival in his city base Sao Paulo, with typographic elements lifted straight off the walls of the city’s pixação scene, or the identity for Possível whose owner revealed a love for a certain Olivetti typewriter and David created constellation-like diagrams of the type-paths taken between keys. And though “variety” sounds somewhat clichéd, it couldn’t be a better middle name for David who has it by the bucket and it is anything but unoriginal.
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs his mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- R Kikuo Johnson on the importance of narrative in his illustrations
- Miguel Pang’s hand-drawn approach adds texture and depth to his illustrations
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner