Natalie Sims’ design deals with a whole tonne of content, placing it in interesting arrangements based on a notion, theory or even a bilateral cipher system developed by Francis Bacon. Far from being random, the effect is unexpected, aesthetically referring to online image searches and offline heavy reference.
Having just emerged from a M.F.A in communications design at Pratt, Nathalie seems well-versed in her design language and can offer up equal weight to image and text. Her interest in subjects a little left of the normal design experience (as with her thesis Mystical stuff, auras and “collective enchantment”) are discussed and implemented intelligently throughout her portfolio and it’s with this seriously considered context that her work is able to explain her ideas so effectively.
- Will Anderson on his Bafta-nominated animation, Have Heart
- Bonjour Garçon combines photography and graphic design to make "strong and delicate" work
- Friday Mixtape: Thomas Pratt curates a mix for a night out in the Bahamas
- The spontaneous, saturated and energetic portfolio of photographer Anton Gottlob
- Alexander Mourant's photographs trace a road-trip he took down the length of Africa
- Video artist Natalia Stuyk on crossing from the digital to the physical world
- Google Creative Lab's animated series tells the story of iPhone users who tried the Pixel 2
- Photographer Michael Northrup’s striking new book is a visual timeline of a former relationship
- The Scouts rebrand aims to reflect a “more relevant image of Scouting”
- "Something bold, something pure" – the 50-year long legacy of 2001: A Space Odyssey
- Yishu Wang's wonderfully disorientating photography
- Airbnb launches new bespoke font Cereal, designed with Dalton Maag for online and offline fluidity