Graphic design studio A Practice for Everyday Life (APFEL) has firmly established itself over the past 14 years as a go-to studio for galleries and publishers to create beautiful publications. Recently, co-founders Kirsty Carter and Emma Thomas were approached to work on a dream project – the book for the Tate Britain’s David Hockney show.
At Nicer Tuesdays, Kirsty and Emma took us through the fascinating process for creating this supremely coveted, 270-page tome, and its serendipitous nature. With the founders’ Yorkshire roots aligning with Hockney’s own, and his work acting as an inspiration for the duo’s early work, APFEL seemed ideal for the commission, and the studio even elected a Yorkshire-born typeface to reaffirm its northern core. They tell us about this design decision and more in fascinating detail.
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum