Graphic design studio A Practice for Everyday Life (APFEL) has firmly established itself over the past 14 years as a go-to studio for galleries and publishers to create beautiful publications. Recently, co-founders Kirsty Carter and Emma Thomas were approached to work on a dream project – the book for the Tate Britain’s David Hockney show.
At Nicer Tuesdays, Kirsty and Emma took us through the fascinating process for creating this supremely coveted, 270-page tome, and its serendipitous nature. With the founders’ Yorkshire roots aligning with Hockney’s own, and his work acting as an inspiration for the duo’s early work, APFEL seemed ideal for the commission, and the studio even elected a Yorkshire-born typeface to reaffirm its northern core. They tell us about this design decision and more in fascinating detail.
- Laura Callaghan on illustrating a lifestyle where women make all decisions
- Starting Out and Making It - what we learned at A/D/O
- Fantastic Man’s unexpected cover story on the surfers and fisherman of Peniche, Portugal
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- James Bannister breaks down Las Vegas’ facade of success and glamour in What Makes Grass Grow In the Desert
- Daniel Fletcher uses a playful spirit to represent the excitements and anxieties of daily life
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity