This month at Nicer Tuesdays on 29 May, we’ll be hearing about the graphic design for Wes Anderson’s Isle of Dogs, plus brilliantly odd illustration, inspiring publication design and how to Be More Pirate in our work and life. Get tickets now to hear from Erica Dorn, Sam Conniff, Kyle Platts and Offshore Studio from 6:30pm at Oval Space.
If you stopped to admire the incredible graphic details in Wes Anderson’s Isle of Dogs, you were most likely admiring the work of Erica Dorn. As the lead graphic designer on the film, Erica was responsible for bringing together everything from the Japanese woodblock-inspired artworks to printed documents, product packaging and signage, which added beautifully intricate detail to the dystopian future world Anderson was creating for his canine stars. Erica will be showcasing her research, references, sketches, final pieces and behind the scenes snippets from the project.
There’s no mistaking the handiwork of illustrator and animation director Kyle Platts. Vivid and cartoonish compositions filled with strange, wobbly characters, their ballooned foreheads in profile bearing enlarged eyes, are his forte, and a long-time favourite of the It’s Nice That team. He’ll be joining us to share insights to his creative process, particularly for recent projects for the likes of Vice, Bloomberg, Zeit Leo and GQ.
In past lives, Sam Conniff was the founder of creative network Livity and media platform Don’t Panic, but recently he’s gone rogue with a new mission: to encourage everyone to Be More Pirate. Born from research into the radical strategies of Golden Age pirates, his new ethos and book of the same name (with an added explanatory strapline “Or How to Take On The World And Win”) adapts these strategies for 21st Century work and life, and aligns them with modern day innovators or “rebels” like Elon Musk and Malala Yousafzai.
Zurich-based graphic design studio Offshore is one of It’s Nice That’s Ones to Watch 2018 and with good reason. Founders Christoph Miler and Isabel Seiffert are behind the design of Migrant Journal, for which the duo created a bespoke typeface and visually arresting design. Politically conscious, sensitive and striking all at the same time, it sums up the designers’ capability way beyond their years. They’ll be telling us more about their recent work, and the aesthetic combination of Swiss design sensibilities and international influences that makes their work truly distinctive.
- Experimental photography magazine Bill plays with the notion of the image as a material object
- Thomas Demand in conversation with It’s Nice That
- For Alice Monvaillier, animation is a "pretty magical process"
- My Body Feels Amazing: Elevator Teeth uses words and images to conduct a dialogue with the self
- City Edition Studio creates projects with a soft, collaborative and kind tone of voice
- Jack Smyth talks us through what makes a successful book jacket design
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- Master one style or stay versatile? Illustrators discuss the pros and cons
- WeTransfer tell users to "Please Leave" in new short film
- Youngchae Lee illustrates what “alone time” feels like in large landscapes
- Yushi Li on photographing men she met through Tinder
- When Hollie Fernando forgot her age, she decided to take her first self-portraits