Joshwellensky

Work / Product Design

Josh Welensky

Words by Jez Burrows, Monday 25 June 2007

Here’s something I picked up last week at the ECA degree show – designer Josh Welensky had a fishbowl full of his own coins as an alternative to business cards. Josh had some great work on show but I can’t seem to find a website for him, though there’s a short interview here about his Flood Fashion project.

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Experimenting with shape and colour, the series presents 12 rugs in total, all handwoven in India using fine-blended wool and cotton. “I did a project with GUR Rugs in 2015, where I had the chance to design my own…After the rug came out it made me want to do a bigger collection, so that’s sort of how the project started.”

It’s been a while since we last checked in with Dan, and there’s been some notable changes in terms of him experimenting with different mediums and gaining a signature style. “Lino cutting will always be my go-to medium as I love the whole process,” explains Dan. “Since leaving university [in 2013] and not having all the resources and time available, my medium changed and my work changed with it.”

“I started using the computer to produce most of my work: using simple shapes was the easiest way to make images for me. I think that way of working changed my practice a lot, as the linocutting was more hands-on.” After this shift, Dan then started to immerse his craft with a more practical approach and steered his latest project in the way of rug design. “I’ve always been interested in traditional rugs from around the world and the handmade process – which is also what drew me towards linocutting,” he says. “I think that my latest rug project was a way to bring back this handmade process, which is important to me.”

Strong blue, freesia and high-risk red: these are the strikingly bold colours that resonate amongst Dan’s work. A few years ago, most of his linocut creations propelled a hazy and romantic outcome, with a softer colour palette made of layered inks. Colour seems to be a changeable-yet-consistent theme throughout his work – whether comparing his old craft to his latest designs, or focusing entirely on his recent vivid graphics, there’s always a constant sway towards what he thinks works well together at the time. “It’s not always been intentional to use those colours, but looking back I think subconsciously I just like using them a lot and they look good together.”

Alongside his recent rug-based endeavours, Dan has continued his venture into skateboard graphics, he has also explored scarf design and the use of Hama beads. “[Hama beads] was a childhood craft that I liked to play with when I was younger. From what I was producing on the computer, it worked well with the geometric style. I found it allowed me to make a more hands-on project that was also a transition from my computer-based imagery to something physical,” explains Dan.

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