Article Archive

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    We haven’t featured Oslo-based studio Heydays on the site for a while but a quick check-in with their portfolio shows they’re still producing top-quality work for an eclectic range of clients. Nöra is a design house based between London and São Paulo which among other things supplied the seats for the World Cup stadia in Brazil. Heydays wanted a look and feel that felt “sophisticated with a stylish twist.” The pointillist type treatment pulls this off neatly and there’s some impressive animated elements you can see below as well. Keep up the great work team Heydays!

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    When photographer Maija Astikainen met writer Aischa Berg in Madrid back in 2010, the two bonded over their passion for community gardens. In fact so interested were the pair in this phenomenon that they decided to produce a book on the theme and four years later Horticultured Cities was published. This timescale reflects the assiduity with which both Maisha and Aiscah went about their research, and the publication features insights from London, Helsinki and Berlin as well as Madrid.

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    I’m super into these portraits by Maya Fuhr, I think I spent about 45 seconds staring into the pond-coloured eyes of the guy two pics down. Maya’s got this magic touch when it comes to photography, her work is so simultaneously humble and powerful, making her the perfect candidate for quietly strong editorial and personal work. We’ve covered her editorial before – a brilliant photo shoot of girls in messy bedrooms – but something about the power of her portraits made us want to write about her again. She also recently opened up to us about her days as college a fresher, and the perils of choosing the wrong degree (with some brilliant photographs of her in 2008 to accompany it, naturally).

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    Alright, we admit it – Peter Judson has made a lot of work we’ve been really into this year, and he’s had the props on the site to prove it. But why should we be made to contain ourselves when he keeps producing illustration of this calibre? Why, we ask you?

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    If you’ve just started uni and you’ve spent an entire week in student unions drinking vibrant blue booze from a questionably-shaped vessel (a goldfish bowl, say, or a shoe) then this Weekender is for you. If you’ve bought more IKEA textiles than your measly student loan will allow but you still can’t get used to the breeze-block walls of your dorms, and you think the mature student next door might have eaten cat food for breakfast this morning, or you accidentally squeegee’d paint onto every last remaining clean item of clothing you own in your first printmaking class (embarrassing) we’re here for you. Welcome to the Weekender.

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    This week the whole of London has been going nuts for art – what with Frieze, The Sunday Art Fair and the Turner Prize all going on at once. None of these events would be nearly as good without a specially curated (sorry) mixtape that features strictly art-related songs. Think there aren’t that many songs about art? Think again, there are loads, and I’m as surprised as you are. If you think we’ve forgotten any gems just add them in via the comments box below and we’ll add them in. Happy art-ing everyone!

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    The month of October is synonymous with new pencil cases, stiff Clarks shoes and uncomfortable Freshers week outings, and what better way to celebrate the unique but unmistakeable interval of Back to School-feeling than by looking at some of our favourite films to feature art schools and classes? Here we list some of the classic blockbusters to capture creative education in all of its iterations, including characters from Laney Boggs to Enid Coleslaw. Exercise books out then, pencils at the ready…

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    If, like me, you spent many an hour in your teenage years gazing absentmindedly at Larry Carlson’s experimental website Medijate, you’ll no doubt be similarly transfixed by The Landfill from the very talented Santtu Mustonen. Stitching together a “collection of unused sketches, leftover drawings and rejected ideas from forgotten projects” to a mesmerising soundtrack by Tuomas Alatalo, Santtu created a hypnotic animation that’s a work of art in its own right.

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    Listen up digital art types! If you’ve got great idea for a project that you haven’t been able to make happen, The Space may just be able to help. The not-for-profit venue has launched an open call to help a creative make that one crazy idea a reality, with funding and mentoring on offer. They say: “Nothing’s off limits; this is about pushing the boundaries and the project can take their point of departure from any artistic discipline, from music and film to visual arts and gaming.”

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    I spent the day yesterday at the Canvas Conference in Birmingham where I was blown away by a series of excellent talks, but in terms of pure wow factor organisers very much saved the best for last. UrtheCast (see what they did?) is a Vancouver-based tech start-up that installed cameras on the International Space Station, sending high res images of the earth back to its dedicated website. Founder and CEO Scott Larson gave a compelling presentation about how the team made it happen, how it works and how the imagery can be used. Through the website you can find out when the ISS will pass over your house and so can arrange something to be captured on its cameras, but what was more fascinating is the way that companies and governments might use the data; by monitoring the amount of vehicles in Chinese factories’ car parks for example, economists can make predictions about the country’s output.

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    When it comes to a trendy commission, a restaurant in east London that serves everything on the bone is right up there. Credit is due then to Burgess Studio, whose identity for the eatery doesn’t take itself too seriously. Built around a nice typographic wordmark and the simple idea of making the all-important bone into a smile, the look and feel rolls out seamlessly across everything from bags to cups, menus to the website. It’s simple, it’s striking and it steers well clear of some kind of terrible hipster overload, all of which is to be very much commended.

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    We often take colour for granted in this digital age where our rich tapestry of tones and hues comes as standard on a computer tool bar and getting the right shade is just a few clicks away. Columbian designer Laura Daza wants to shake us out of this complacency, and her project Colour Provenance is an investigation into the ancient origins of colour pigment.

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    There is something incredibly pleasing about this odd collection of passenger-less log flumes. Without the crowds of families and awkward first dates there’s something a little bit sad, maybe even philosophical about them. The photos have been collected by Falmouth grad Zef Cherry-Kynaston whose website boasts one of the most brilliant CVs in existence. “A log flume winds its way around a watery course and slowly climbs the lift hill,” Zef says on his site. “Reaching the top, it then hurtles down the slope. A camera flashes moments before the flume plunges into the water below. Splash! The resulting image is a souvenir; a snapshot of joyous exhilaration.”

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    In December last year we received a zine in the post from Yorkshire-based photographer Christopher Nunn that documented a small selection of images he’d gathered in Ukraine. Kalush offered a unique perspective on a region that was thrust suddenly and violently into the public consciousness, showing us the quiet, everyday side of a place that – from television coverage at least – you’d have been forgiven for assuming was razed to the ground.

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    Fashion editorials aren’t always a straightforward point-and-shoot affair any more, very often now when we look through a designer’s clothes – be it in a specially created lookbook or a spread in a magazine – we want a story, visual impact and pizazz. This demand has resulted in many brilliant amalgamations of ideas between designers, photographers and stylists and I for one am all for this type of collaboration.

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    Another one pilfered off Haw-Lin here I’m afraid, (I can’t help it if their taste is better than everyone else’s can I?). This charming selection of photographs of aesthetically-blessed chaps hanging out with pedigree dogs is by Philippe Jarrigeon, the man who once charmed us with square oranges back in the day. This shoot was commissioned by the spectacular Double Magazine, and is testament to why they’re currently on their 27th issue – they clearly know what they’re doing content-wise. If you think cute boys and pups are click-bait then I’d be inclined to disagree – the world needs happy photography, and you don’t get much more joy in an editorial than this. Like what you see? Let me point you this way to another fantastic shoot with a similar concept from 2012.

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    What a podcast this week! Rob’s away, so the kids’ table that is Liv Siddall, Maisie Skidmore and James Cartwright reigns supreme! This week we chew the fat by way of Iggy Pop’s John Peel Lecture about the state of the music industry, and the treasure-packed spectacle that is Frieze London and Frieze Masters 2014.

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    As part of our Back To School month we wanted to make sure that we took the temperature of design education around the world and not just to here in the UK. Next week we’ll be focussing on creative education in the USA but here we’re looking at the challenges facing design schools in Germany, Ireland, the Netherlands and Switzerland. We’ve opened comments too so you can agree, disagree or let us know about the lie of the land in your country…

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    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

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    Since 2011 Catalogue have operated a design studio between London and Leeds, creating branding, exhibition design and print products for an incredible collection of cultural clients. They’ve handled Yorkshire’s excellent Beacons Festival, popped up at Beach London, branded a tape-only record label and made British brand The National Skateboard Co. look seriously respectable. All great pieces of work.

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    Full disclosure before I say anything about this new app: I’m terrible – TERRIBLE – at managing my personal finances. Wages come in at the start of the month, I pay my rent, bills and council tax and then I try not to look at my bank account until the next pay day. Sometimes there’s a couple of quid left, mostly I’ve plundered the depths of my overdraft. So I had a look at Pennies with a great deal of skepticism; it’s going to take more than an app to sort my money out.

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    Art in Film is the kind of online resource you don’t imagine is likely to come in especially handy in your life, but you find yourself scrolling through transfixed anyway. Run on a submissions basis by its curator Martin Cole, the set pulls together every imaginable example of an artwork (real or imaginary) included in film or on TV, from the famous scene at the potter’s wheel in Ghost to Lisa admiring Matisse’s Cut Outs in The Simpsons.

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    Imagine a dream world in which the heavy task of town planning was given over to the artists and creatives whose visions could ignite the city and bring out its most defining features. Some cities in the world are known for their cultural heritage: Nantes wasn’t one of these until 15 years ago, and since then it’s been a slow burn fuelled by the imagination of a group of risk-takers coralled by French public art impressario Jean Blaise and his curator David Moinard.

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    CANADA are the epitome of supercool; everything our favourite Barcelona-based filmmakers and producers touch turns to chic, so it’s time the rest of us just put down our on-trend moccasins, blacked-out sunglasses and tiny man-buns and just let them get on with it. What better way to retire our cool-hunting ways than to watch the collective’s latest short, Laberinto (Labyrinth), directed by Marc Oller, which sees the classic love story of a boy chasing an aloof girl played out sublimely.

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    It’s been a while since we last checked in with Stockholm-based Bedow studio but there’s a host of new work to enjoy over on their site as ever. I was particularly drawn to their ongoing collaboration with Essem Design, “a Swedish manufacturer of artisanal hallway interiors.” Bedow used a refreshingly straightforward way in to what might seem like rather a niche product, building an identity around the Swedish words for “hello” and “goodbye” – the utterances most commonly heard in a hallway.

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    Unless you have self-consciously wacky parents, it’s likely you’ll have met someone with the same name first name as you. When you’re younger this can make you feel a less special but these days we just have to grin and bear it. The commonality of first names is a theme Tim Morris has focused on in his George series, which brilliantly catalogues famous Georges in visual form.

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    Forget what you think you know about surfing; the “gnarly dudes” on the hunt for “tubular waves” (I’m basing most of this language on Sean Penn’s character in Fast Times At Ridgemont High, but you catch my drift). Finisterre’s latest surf film is more in line with Jonathan Glazer’s legendary Guinness ad than any piece of footage you’re likely to see for O’Neill or Billabong. For one thing it’s not set in an exotic location – there are no bikini-clad babes – as they’ve traded warmer waters for the icy depths off the coasts of northern Scotland and Ireland.

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    As the man who gave form to the twisted genius of Hunter S. Thompson, British illustrator’s Ralph Steadman’s latest project seems like a perfect fit. Ralph has worked with Breaking Bad creator Vince Gilligan to illustrate some limited-edition Blu-Ray covers for a special boxset of the series due out early next year.

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    This week Rob Alderson reflects on an interesting blog by Chloe Markowicz which suggests that people are ashamed to call what they do advertising. As ever you can join the debate and add your comments using the discussion thread below.

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    Mr Bingo is the master of Hate Mail and endless sarcastic humour delivered in intricately rendered illustration, so naturally he was an obvious choice to invite to contribute to our School Drawings feature in our Back to School Month. He did not disappoint. Back when he was a kid, his drawings consisted mainly of slow sadistic punishments delivered to long-suffering characters, complete with a running narrative in speech bubble form – “I’ve been in this cube for 13 years now, I’m a little cramped” for example – and they’re absolutely bloody brilliant. Here’s Bingo on the characters he used to draw, his favourites and the themes you can spot here that still resonate in his work today.

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    This month’s Nicer Tuesdays will tackle the subject of art, bringing together four speakers who will each describe a different stage in the art process from education and research to curation and finally publication.

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    In the design world, the brief plays many different roles – ubiquitous, all-important, loathed, misunderstood; it can be a starting point, a back-up and a battleground. And yet we don’t often hear that much about the brief and its place in the creative industry – enter design strategy firm Bassett & Partners. Posing the question “if every project starts with a brief, why aren’t there more projects that end up with exceptional results?” the San Francisco-based company have tried to rectify this imbalance with their interesting short film Briefly.