The first speaker at February’s Nicer Tuesdays was London-based visual artist, Rhea Dillon. Discussing her inspirations and influences, she took the crowd through her most recent video project, Process on black hair, beauty and culture.

There are lots of reasons why creatives become fans of illustrator Alex Jenkins. His illustration style for one always grabs your attention, but it’s the ensuing narratives – which always follow a gross but very relatable storyline – that really hold your focus. To discuss how he developed this signature style and process of working that always makes us laugh, he joined us at February’s Nicer Tuesdays.

Joining us at February’s Nicer Tuesdays was Swedish animator, Anna Malin Mantzaris. Based between London and Stockholm and represented by Passion Animation Studios, Anna works mainly in stop-motion animation. One recent project in this medium that massively caught our attention is a short titled Enough, which sees her characters do all the things we wish we could do in our daily lives – from slapping the phone out the hand of someone talking too loudly on the bus, to screaming and running out of the office workplace we’re sick of.

David Lane is an art director known for multiple magazine titles such as Freize and The Gourmand which he co-founded. But other than these publications taking up David’s time, his studio Lane & Associates also looks after the art direction (which even he admits “is a broad term”) for advertising campaigns from high fashion brands to musicians too. David Lane is very busy.

Joining us from her home in Rotterdam for October’s Nicer Tuesdays was Liza Enebeis, creative director of the renowned Studio Dumbar.

Superimpose, a global but fully independent studio based in London (and soon LA), were the second to take the stage at September’s Nicer Tuesdays.

Giving his first talk as a Pentagram partner and newly relocated Londoner, German graphic designer Sascha Lobe joined us at Nicer Tuesdays August. “I’m totally new here, and I have to adapt,” Sascha explained to the audience. “I want to use this talk to say goodbye to something, and say hello to something new.”

Atelier Brenda is a graphic design studio, but no one is quite sure who Brenda actually is. Joining us from Belgium at Nicer Tuesdays in June, the studio’s real-life designers, Nana Esi and Sophie Keij, dispelled many of the myths of the studio through a frequently asked questions type talk which revealed who Brenda actually is.

Zurich-based graphic design studio Offshore is one of It’s Nice That’s Ones to Watch 2018 and with good reason. Founders Christoph Miler and Isabel Seiffert are behind the design of Migrant Journal, for which the duo created a bespoke typeface and visually arresting design. Politically conscious, sensitive and striking all at the same time, it sums up the designers’ capability way beyond their years.

Creative director Veronica Ditting is best known for her landmark work in the publishing industry, including the design of The Gentlewoman, and her art direction of Fantastic Man and Cos Magazine. At Nicer Tuesdays she spoke about her London-based studio, which is surprisingly compact for its impressive output, at just six people.

Twin sisters Marta and Eva Yarza have gained quite the following for their graphic design capabilities and vision. Known as The Yarza Twins, with a studio of the same name based in London, the pair took to the Nicer Tuesdays stage to tell us about their identity for Oia Council, a Spanish municipality in Galicia.

Anna Gerber and Britt Iversen founded Visual Editions with the aim to be “a traditional book publisher making very untraditional books”. This notion is truly brought to life in its imprint, of sorts, Editions At Play – a collaborative project with Google Creative Lab that “brings magic and delight into digital books”.

Joining us from Germany for the last Nicer Tuesdays talk of 2018 was the renowned illustrator, Christoph Niemann. An illustrator celebrated for his endlessly-brilliant portfolio of books and spot illustrations for publications, Christoph joined us to talk through a larger project: a mural.

“I don’t remember when I began drawing exactly but it was a long time ago”, explained illustrator Olimpia Zagnoli, opening the evening at Nicer Tuesdays September. Joining us from her home of Milan, the beloved illustrator spoke through the numerous forms her illustrative work can take, from illustrated plates and pillows to collaborations with fashion brands to children’s books.

Charlotte Mei is an illustrator and artist known for wearing various creative hats. Some fans adore her ceramics or attend her classes; brand art directors commission her illustrations; and a variety of international mags are often filled with original Mei’s. Her working process is one that varies in terms of application and point of view, and she took the Nicer Tuesdays audience through how she gets it done at the August event.

Nadine Redlich, a German cartoonist and "a very stable genius” joined us at Nicer Tuesdays July to give us an insight behind her comics and her hilarious illustrative process.

Robert Rubbish, a founding member of the iconic illustration collective Le Gun, took to the Nicer Tuesdays stage in June to discuss his latest project, Spiritus Soho.

There’s no mistaking the handiwork of illustrator and animation director, Kyle Platts. Vivid and cartoonish compositions filled with strange, wobbly characters, their ballooned foreheads in profile bearing enlarged eyes, are his forte, and a long-time favourite of the It’s Nice That team. Here, he speaks about his recent dabblings in animation and the increasing desire to make his characters move, making utterly brilliant and hugely popular gif artworks.

The idiosyncratic brushwork and hand-drawn typography of illustrator Marion Deuchars is instantly recognisable, and have charmed children and grown-ups alike in her many books. Recently, Marion has been both educating and inspirational in her books about the art world, particularly in Bob the Artist, which aims to teach kids about well-known artistic techniques while also encouraging individuality. The new follow-up Bob’s Blue Period is about expressing emotions through creativity, and is loosely based, she explains, on Picasso’s story of loss.

At Nicer Tuesdays August we had the absolute honour of revealing a new project by photographer Luke Evans. A firm long-time favourite of ours Luke took to the stage at Oval Space to introduce his work to those who may not of known him, but they definitely love him now.

Photographer Vicki King joined us at Nicer Tuesdays in July to take us through her eclectic career from the very beginning.

Natalia Stuyk is a video and digital artist who creates surreal, warping imagery in vivid saturated colours. Her commercial work often sees her collaborate with brands such as Kenzo, Nike and Stella McCartney, making fashion films, music videos and everything in between. Much more at home in the digital space, Natalia spoke at Nicer Tuesdays about her recent move into the physical space, collaborating on installations for Galeria Melissa in New York over the coming summer.

Laurie Rowan, an animator based in Brighton, was the first to take to the stage at November’s Nicer Tuesdays a few weeks ago, talking us through his career trajectory and how he found his own groove in the animation scene.

Journalist and filmmaker Roxy Rezvany began her Nicer Tuesdays talk last month by explaining her creative journey. Roxy grew up “loving art and stories and films but I never went to film school,” she says. Despite this, her career in the creative industry has developed through “jobbing” and the result is a personable approach to the work she makes, leading on to her most recent film Little Pyongyang.

Rob Slater, one half of design studio Flat-e joined us at Nicer Tuesdays July to talk through his studio’s practice, particularly focusing on its new work visually interpreting Daniel Avery’s record, Song for Alpha.

Animation director Sophie Koko Gate took to the Nicer Tuesdays stage last month to take us through her personal practice, but also give us a sneak peek at her new short for Adult Swim’s series Off the Air before it was seen by anyone else!

Animation director and It’s Nice That One to Watch from 2017 Nicos Livesey never takes the easy route on a project. His latest film, the BBC’s promotional video for the 2018 World Cup, was one of his most extravagant works to date, embarking on a mammoth task where each frame would be embroidered, and then animated.

If you stopped to admire the incredible graphic details in Wes Anderson’s Isle of Dogs, you were most likely admiring the work of Erica Dorn. As the lead graphic designer on the film, Erica was responsible for bringing together everything from the Japanese woodblock-inspired artworks to printed documents, product packaging and signage, which added beautiful intricacies to the dystopian future world Anderson was creating for his canine stars.

Fresh from a Bafta nomination and winning best short at the British Animation Awards, animator Will Anderson spoke about his much-lauded film Have Heart. In a captivatingly simple aesthetic, the animation tells the story of a weary animated gif stuck in a loop on the internet, on the cusp of an existential crisis.

Animator Steve Warne has an impressive list of credits to his name, having worked on Isle of Dogs, Kubo and the Two Strings, My Life as a Courgette, and Frankenweenie. However it’s his own film, Pombo Loves You which Steve spoke about at Nicer Tuesdays – an incredible feat of stop-motion animation that uses a live-action approach to create its cinematic feel.

Animator I Saw John First looked to an eclectic bank of references for his music video for Mr Jukes. “I’m into obscurity, Japan, imaginary worlds, heads with feet, ghost stories and spirits,” he said, showing sketches, development animatics and excerpts from the final animation. Colourful, fantastical and hypnotic, the visuals for the track Angels/Your Love feat. BJ The Chicago Kid are also synced with the beat, meaning every detail of the frame-by-frame animation emulates the song.