Typography

All 1228 articles

Marina Willer’s revitalising rebrand for STC brings Shakespeare into the 21st century

The new Olympic identity is the first of its kind since the games began in 1896

Eric Hu designs the can for a new Web3 community-created drink, aptly named Mateverse

Yoan Putra's maximalist graphic and typeface design is bursting with raw energy

With fractal visualisers and 90s web aesthetics, Fisk designs an ecosystem for Toro y Moi’s new album

Rupa Anurendra uses found objects and handwritten type to create designs with a personal touch

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KesselsKramer calls on 25 creatives to redesign the Risk of Fire warning sign

Edan Strachan’s abstract letterforms have all the finesse of a one-point perspective drawing

15 September 2022

Anna Mills on how she imbues type with movement and personality

14 September 2022

“No shits given”: Luke John Matthew Arnold’s cut-throat posters are rooted in love and acceptance

13 September 2022

Taking inspiration from fangs, claws and thorns, Nguyen Gobber’s Lucifer typeface is devilishly good

12 September 2022

Wolff Olins’ rotating logo for Leeum Museum of Art gets better the longer you look

6 September 2022

Preserving generational Black narratives through print: Meet graphic designer Zoë Pulley

6 September 2022

Agata Yamaguchi’s minimalist posters grapple with life’s stranger moments

5 September 2022

Typotheque develops typefaces to support the digital preservation of Indigenous languages

1 September 2022

Five designers behind some of the most memorable museum rebrands

Auge rebrands Leibniz with a doughy “freshly baked” typeface

For Gabriella Brown, being a DJ and a designer is a match made in heaven

XXIX flips classic insurance “disaster” scenes on their head for an illustrated brokerage identity

Corinne Ang uses bold typography and free flowing visuals in her eclectic projects