Typography

All 1430 articles

Hey Porter!’s Kahaza typeface emulates titles found on vintage Egyptian film posters

University of Cardiff rebrands, celebrating the eight Welsh digraphs

Ilhas Studio’s tri-colour identity for a video art festival visualises notions of time

22 November 2023

Say cheese! Same Paper’s latest photography magazine is all about cracking a smile

21 November 2023

Port’s redesign features hand-drawn logos from Taika Waititi and Teo Yoo

16 November 2023

Christmas art market and inspiring creative talks: get tickets for the last Nicer Tuesdays of 2023!

16 November 2023

Elliot Ulm is a great designer and public speaker, but terrible at speaking to people at parties

15 November 2023

The Feeld rebrand is fluid, changing and full of heat

14 November 2023

F37 works with designers from Lance Wyman to Spin on its new collaborative typeface collection

13 November 2023

Simon Garfield publishes biographies on Albertus, Baskerville and Comic Sans

13 November 2023

How The Guardian designed its thoughtful new long-form mag

10 November 2023

Inside Center and its bold and striking approach to branding

9 November 2023

Verònica Fuerte of Hey Studio reinforces the importance of forging a strong creative community

8 November 2023

Heatherwick adopts “easy-to-draw” logo for its boring buildings movement

6 November 2023

The Simple Things rebrand is a “Bristol family affair”

3 November 2023

Rejecting restraints: Mike Nigra on combining typographic anatomies

2 November 2023

The Brooklyn Way book is a love letter to the New York borough, this time in print

1 November 2023

Learn from the great Paula Scher with BBC Maestro’s new graphic design course

30 October 2023

Comics, comedy and street photography: A lesson in authenticity at October’s Nicer Tuesdays in New York

26 October 2023

North and Peter Saville reveal new brand identity for Factory International

26 October 2023