Typography

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SomeOne’s identity for eco cleaning brand Ocean Saver is designed to be stuck on top of competitor’s branding

Typelab’s latest release prepares typefaces to be sent into space to represent humankind

Meet Paul Bergès, a graphic designer who draws alphabets with the same freedom as he constructs images

Bond’s identity for Type Directors Club celebrates “the extensive, rich and complex world of type design”

North’s severe backslanted type for the Munch Museum mirrors the artist’s “unconventional spirit”

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Pentagram’s Paula Scher reveals powerful “anti-sanitarium” identity for the Mental Health Coalition

Making waves in the industry for the past five years, Marc Rouault discusses the newly released Trois Mille (3000)

Parisian graphic designer Élise Rigollet talks us through her adaptable, colourful process

“Designing fonts is designing tools”: Two Points.Net on its latest typeface for Nike

Referenz Grotesk by Open2Type is a typeface grounded in years of research

Wolff Olins rebrands Understood, with shape-shifting logo and dyslexic-friendly typeface

Group Font sees 37 very different creatives contribute a letter

Spikes, satire, Frank Ocean and The New York Times: Nejc Prah discusses his recent work

Which route should Ragged Edge take on this rebrand? Cast your vote

Dalton Maag’s Monte Stella typeface celebrates the “imperfect” post-war vernacular lettering of Milan

How to keep TV title sequences relevant in a post-“Skip Intro” world

Pentagram’s Harry Pearce gives Camden Art Centre a respectful modernist rebrand

Forever the student, Natalia Oledzka’s practice is a masterclass in subtlety

Football Type 2 celebrates the beautiful typography of the beautiful game

Pentagram’s Natasha Jen rebrands Esprit, turning its logo into a stencil typeface