Typography

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Eike König on artistic freedom and creating work with meaning beyond income or likes

Mob Kitchen initially only wanted a brand refresh; Studio Nari gave it a whole new identity

How lettering became gendered and why it is wrong

Minimalism, connection and culture: the influence of emotional and physical spaces across Shivani Parasnis’ practice

Panama Papers.Office merges tech, 3D and typographic systems into its detailed graphic design

A Vietnamese studio rebrands pet-food inspired by the wagging tails and pointy ears of our furry friends

“An art of tension and release”: Kookie Santos on freedom and restriction in type design

Anthony Bryant values process over aesthetic in his clever and playful graphic design

Anton Koovit’s UCity Pro is a typeface for the future, found in 1970 Lancia Stratos Zero

Snøhetta creates a visual identity with a spin for a Norwegian museum foundation

Margherita Sabbioneda on defining her unconventional design practice

How Daan Rietbergen uses physicality within type design to ensure “it really exists”

“Type design is so much about fashion forecasting”: Sharp Type co-founders on navigating the aesthetic zeitgeist of typography

Typeface designer Bouk Ra looks to literary influences to create intensely refined pieces of work

Art Nouveau, emojis and ignoring conventions: Emily Jing Sum Chan on her latest typeface Orna

The personal is political: Haitham Haddad’s journey to bring Arabic back to public spaces in Palestine

Pentagram’s Emily Oberman creates serif-inspired identity for an LGBTQIA+ virtual space

“I try not to chase perfection”: Grace Hong on switching careers and using design as a diary

Materials, Manuals and Masculinity: Charlotte Rohde on Hot Mess 2021 and her thoughtful practice

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“It’s time for something else”: Grilli Type releases GT Ultra, which dances between serif and sans