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Ian Grandjean on the key to evolving as an artist and illustrator

G . F Smith collaborates with design students on vinyl covers exploring the intersection of sound and colour

Design duo Scheffe Shields champions archival material and analogue techniques

Angela Kirkwood felt “purposeless” – so she made a short film about a bird that can’t fly

Little Simz curates the Tate Modern’s next Late

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Heralding the ancient and otherworldly charm of Future Medieval graphics

Mary Banas on designing album covers for Mitski that live up to her sound

Neale Johnston’s graphic design work is at one with Berlin’s techno scene

Us by Night – the design festival that’s more like one big party – is back

For an orchestral recording studio, Mauro Simeon creates a logo based on tuners

At Toykyo every project is an invitation to play

Can you ever really own an aesthetic? Creatives discuss what happens when your style becomes a trend

Karabo Mooki documents South Africa’s punk rock movement, debunking stereotypes of the genre

At Sonar+D festival, IED advances the dialogue between technology and art

Simon Wheatley on 20 years of documenting youth cultures, from France’s banlieues to London’s grime scene

Spotify launches new bespoke typeface with Dinamo: Spotify Mix

Puerto Rican plants and Roger Rabbit inspire these Bad Bunny concert visuals

Nature is an artist! Inside AKQA’s design for mammoth Spotify and UN project, Sounds Right

Simon Wheatley, Templo and Osheen Siva: Tickets now available for May’s Nicer Tuesdays!

With thick “bumpy” lines Clémence Mira recreates the sweaty hedonism of raving