Branding

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Joel Meyerowitz takes a cue from Renaissance art for new Jil Sander campaign

Sophy Hollington channels the occult through Tarot card illustrations for Chimi's new sunglasses

Navarra on its identity for Glaze, an every day product de-stigmatising cannabis from “stoner culture”

Lovers’ psychedelic My/Mochi campaign features squishy type and doughy 3D characters

Studio Lutalica helps LGBTQ+ and feminist organisations to communicate their purpose

DixonBaxi’s rebranding of Canada Water is a nod to its incredible history and exciting future

Pràctica’s identity for design festival Blanc references children’s construction games

As the city reopens, Shepard Fairey and Andy Cruz collaborate on a new logo for Los Angeles Tourism

Aletheia on the successes of founding a graphic design studio during a pandemic

Zhiyuan Zhang relishes branding projects as problems to solve

Graphic Life brings together Pentagram partner Michael Gericke’s four decades of visionary work

The National Gallery of Canada’s rebrand marks a step towards decolonisation

Studio Nari designs an identity for furniture brand Modular by Mensah that is both sharp and curvy

How&How shares three new branding projects, from an ad agency to a fintech via seaweed forests

Stefan Sagmeister has designed a pair of sunglasses inspired by Frida Kahlo’s eyebrows

“I don’t want to be forced to walk, I want to go at my own pace”: Ruozhu Li on finding her place in graphic design

Graphic designer Dan Polyak talks us through working with the visual world of drag queens in the “drag renaissance”

Pentagram’s Harry Pearce designs the brand identity for John Lewis’ new affordable range, Anyday

From hieroglyphics to pizza pop-ups, how to make a side project successful

Grilli Type designs a bespoke typeface for Pinterest that lets pinned imagery “shine”