Branding

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Bond’s identity for Type Directors Club celebrates “the extensive, rich and complex world of type design”

Olimpia Zagnoli on how creativity helps us understand one another

BBC One builds on Martin Parr idents with new lockdown-inspired films

Pentagram’s Harry Pearce gives Camden Art Centre a respectful modernist rebrand

Pentagram’s Natasha Jen rebrands Esprit, turning its logo into a stencil typeface

Cast Iron Design’s “sassy and free-spirited” branding for Byte Bars

Zac Fay discusses his colourful characters and aligning his values with commercial work

Rooted in Japanese-Brazilian culture, Inari Type aims to further understand its heritage

Loïc Altaber’s reductive practice favours simplicity, not minimalism

Bulletproof redesigns Cadbury and Dairy Milk to “put the humanity back into it”

Laura Csocsán on the artistry of type design and some advice for this year’s graduates

David Shrigley shares his latest commission and artistic motto: “If you put the hours in then the work makes itself”

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Graphic designer Jaehoon Choi finds form in function when combining the abstract with strict rules

Austria-based designer Simon Merz’ Meta is “a book about itself”

Studio Lowrie’s Sundance Film Festival identity proves small studios can take on projects of any scale

Garrett Elizabeth Office aims to magnify the things it loves through creative work

Montréal-based studio Wedge is sensitive to details in its brand identities

Studio Lowrie creates Sundance Film Festival’s latest identity from a shipping container

Series two of design podcast Private View(s) features DesignStudio and Character

BMW unveils new flat and transparent logo, geared towards openness and digitisation