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The Art of Letters looks beyond the function of type to “realise the beautiful art form within the system”

Pentagram partner Sascha Lobe rebrands a yachting company, accentuating elements of nautical navigation

Keith Fleck made a corporate logo for each state in America, based on its best known brand export

9 September 2021

Applied Design partners with Braille Institute to design a font for those who are visually impaired

Marlon Ilg talks us through turning a found typeface into a variable font with a modular grid

Embracing the chaotic possibilities of lettering with Anna Czuż

To celebrate ten years in print, Kinfolk undergoes total redesign with custom typefaces from Schick Toikka

Raphaël de la Morinerie on understanding the codes that form our visual culture

What is the role of binary thinking in Western typography?

Pizza Typefaces’ latest release is an original taste called (and all about) Pleasure

Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive

How to create an impactful side project: Get your tickets for May’s Nicer Tuesdays Online!

From Dua Lipa to Jacquemus: Guillaume Sbalchiero talks about his “accidental” approach to design

Getting to know Margot Lévêque and her personality-driven typefaces

“Fonts are culture!” Support Independent Type negotiates the evolution of type specimens

The Climate Crisis Font shrinks in response to Arctic sea ice data

22 February 2021

Huruf explores Malaysia’s visual culture and multilingual vernacular through type

18 February 2021

How similar do font family resemblances need to be? Character Type on its NewsSerif typeface

12 February 2021

From the Alps to the Andes, type foundry Altiplano merges Swiss design with its founder’s South American heritage

11 February 2021

Drawing inspiration from Indonesian decorative motifs, Pertiwi is a new ornamental typeface by Projek Agni

26 January 2021