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Adoratorio Studio takes a new lens on eyewear with a soft but technical rebrand for Indice

Tinder’s first rebrand in nearly a decade channels the voice of a dating columnist

From hand-drawn type to doodled logos, illustration takes the lead in the visual identity for Florence’s first art book fair

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

Building a brand means building a world – that’s why Blanca Doba’s identity for Bare Earth didn’t stop at a wordmark

How&How’s colourful and collaged Bristol Dockyards rebrand makes nautical cliches walk the plank

From Olivetti to Instagram: a short history of modern brand design

Daryn Roongrawewan doesn’t design logos, she crafts “ornamental icons”

Koto revives an 80-year-old wordmark to rebrand Norton Museum of Art

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Why design studio OnePlus treats branding like cultural excavation, not invention

Ey Studio avoided ‘gourmet’ trends for something more authentic to rebrand Italy’s most iconic panettone

How do you design youth? The Young Vic’s new logo uses motion blur to flip dated theatre branding

A tobacco factory turned restaurant, Nikotin’s logo takes the shape of a cigarette

What makes a branding system sustainable? For Stoëmp, it’s rooting it in something deeper than style

4Creative’s new identity uses cut-out visuals from iconic TV shows

Templo’s brand identity for climate non-profit Casi draws on the pragmatic mark-making of hieroglyphics

Meet Bon Elliot: the family-run, slow-crafted skincare label from Little Troop

This collaged architect’s identity from Alexis Mark drew from departure boards and timetables

Blurr Bureau gives us a lesson in how to brand something that’s been around forever: Apples

Strategy comes before style: Take a look at the branding work of creative group NA1